MARVEL’S AGENTS OF S.H.I.E.L.D. [Series Finale Review]: Last Mission.

“Part of the journey is the end.”

Kevin “Pastor” Palma
@eggrollko

That beautiful line uttered by Tony Stark after his death in Avengers: Endgame was the immediate thought I had just before the series finale of Agents of S.H.I.E.L.D.. I found it rather appropriate given how this show arose from the aftermath of Iron Man 3 and Phil Coulson’s (Clark Gregg) connection to Stark, beginning with his introduction in the very first Iron Man movie. It’s surreal to think back on it’s beginnings and see where that journey has taken this show. And although #itsallconnected never worked out the way many hoped it would, AoS absolutely found a way to carve itself a little corner of the Marvel Cinematic Universe; it’s both appropriate and amazing that the connection came back in a huge way in this finale…

While the Season 5 finale, which was originally meant to be a series finale, brought back more plot points than the actual.. finale, this one thematically brought everything back full circle. It gave everybody a great ending– even if it may not have been the one we all wanted or felt they deserved. This episode was a fantastic and emotional conclusion to a show that’s been my absolute favorite over the past 4 years, beginning with Season 4. That all said, it would be impossible for me to speak about this show any further without delving into spoilers, so here we go.

The episodes themselves were fantastic and had some truly amazing moments. The idea of duct-taping chronocoms to bombs to blow their way out of the enemy ship was one of those equally absurd and awesome things that have made me love comic books so much over the decades. I just had to begin with that. But, the most amazing part was how it almost directly mirrors Endgame, with Fitz (Ian De Caestecker) and Simmons (Elizabeth Henstridge) playing the role of Tony Stark together while Fitz also played the role of Dr. Strange.

The episodes were loaded with emotional and awesome moments, like May (Ming Na-Wen) attacking Sybil (Tamara Taylor), the leader of the Chronicoms, and referring to herself as the Cavalry for the first time in the series, Daisy (Chloe Bennet) finally getting the upper-hand on Nathaniel (Joe Courtney) and killing him, and John Garrett’s (James Paxton) temporary babyface turn only to get killed seconds later by Victoria Hand (Saffron Burrows), the woman he gave the order to kill in the original timeline. All in all, these were excellent episodes with the only real flaw for me being the silly way Daisy was rescued from space, although that’s still consistent with what we’ve seen in the MCU before, specifically Guardians of the Galaxy.

As good as the episodes were, however, people really fell in love with this show because of how great these characters are. It really would be impossible for me to overstate just how much these characters mean to me and seeing them all wind up with a happy ending of sorts made this finale feel perfect, even if the episode itself wasn’t. There was a character death fake-out that I thought felt goofy, but otherwise it was excellent, especially considering it was essentially a scaled down TV version of a combination of Star Trek: First Contact and Avengers: Endgame. It is actually pretty uncanny how much the 2-part finale specifically resembles Endgame in both plot and character. Both involve traveling back in time to stop a supervillain army only to bring them back to the present, where, against all odds, they’re able to defeat them all in one fell swoop; though, S.H.I.E.L.D. was able to do it by introducing the Chronicom army to the concept of empathy while the Avengers were forced to kill them all.

This idea of saving the world by passing the empathy to the Chronicoms is a beautiful culmination of the story Melinda May went through throughout the series and specifically this season, where she developed the same powers as the little girl from Bahrain: absorbing other people’s emotions through contact. However, while the little girl couldn’t control the power and began consuming people’s pain and was driven mad by it, May was able to learn to control it and to spread empathy. The absolute best part about it is that by the end, May has become much more like the warm, caring person she was before Bahrain and takes up the role of a teacher at the Coulson Academy for S.HI.E.L.D.

While I absolutely wished Mack (Henry Simmons) and Yoyo (Natalia Cordova-Buckley) had retired and settled down, I absolutely appreciate both remaining in the field and Yoyo becoming the most decorated S.H.I.E.L.D. agent while teaming up with Piper (Briana Venskus) and an LMD Davis (Maximilian Osinski). However, I legitimately laughed out loud at how awesome it was to see Mack going full Nick Fury on a Helicarrier.

It was also sweet that Daisy was able to find and hold on to one part of the blood family she was constantly in search for in Season 1, while not letting go of the family who stayed by her side on the journey there as she journeys through space (maybe as a part of S.W.O.R.D.?) with her sister and the new man out of time, Daniel Sousa (Enver Gjokaj), an amazing final season addition to the team. Then came Deke (Jeff Ward), the man who again made the sacrifice play for the team — staying behind in another alternate timeline to get them home — but, this time, being left behind in a world where he’s both a rock god and the best hope to rebuild and lead S.H.I.E.L.D. That actually presents the opportunity for the spin-off that I never knew I wanted, The D: Director by day, Rock God by night. That brings me to Fitz and Simmons.

I’ve never encountered another character who I just completely understand the way I do with Fitz, which may play a huge part in why I love this show so much. For that reason, I, along with almost everyone else in the small but passionate fanbase this show’s built over the years, absolutely needed a happy ending for these characters who’ve just been through so much, but Fitz and Simmons in particular. They’ve been the heart of this series since the beginning and, as such, the source of some of the greatest heartbreak this series ever delivered. This season began in a way not unfamiliar to those of us who’ve been watching all along, with the two of them separated and trying to return to each other while trying to save the world. However, this time it was different because this time they were able to do it on their own terms, choosing to live their lives before separating in order to save the world, and in doing so they gave themselves something else worth saving: a daughter.

Seeing those two have their happy ending was the best part of this spectacular finale and the sight of Fitz being the happiest he’s ever been on the show with his daughter, while Jemma looked on with doting eyes was absolutely heartwarming and emotional. It only seems appropriate to end with the character who started this all, Agent Phillip J. Coulson. Seeing him ride off on a new version of Lola, built for him by Mack and mirroring the way he flew off on Lola in the pilot episode, was the perfect final image for this series.

As great as those endings were, it was truly heartbreaking letting this show and its characters go, but I’m grateful for having had a chance to be on this ride as it happened. I’ll leave you with possibly my favorite line of the show, Jemma Simmons’ line at the end of the Season 5 finale that encapsulates how I feel leaving this show behind. “We don’t move on. We hold that place in our hearts. We close it off, lock the door, and visit from time to time, but we don’t move on.” 5/5 SHIELD Bibles.

-Kevin Palma

MARVEL’S AGENTS OF S.H.I.E.L.D. [Season 7 Premiere Review]: The New Deal.

Ronny “The Baptist” Lecuyer

The opening episode of Season 7 — “The New Deal’ — sees the return of Agent Coulson (Clark Gregg). While a bit of a red herring, Coulson is actually an LMD installed with his last consciousness update from the Framework story line. Our team goes back in time to New York, 1931 to stop the Chronicoms from taking over the Earth.

Agents of S.H.I.E.L.D finishes off the final season premiere with a big cliffhanger, and its connection to the formation of the crew and their greatest enemy. With that said let me say; warning spoilers ahead…

The episode opens with the Chronicoms taking the faces, literally, of three police officers in order to infiltrate a party later on, held by Franklin D Roosevelt (Joseph Culp). He was not the President at this point in time, but as Coulson points out, Roosevelt will eventually go on to form the Strategic Scientific Reserve (SSR) which would become SHIELD. The team follows then to the scene as police are investigating. Oddly this season seems to be missing Fitz at this point; Jemma makes not that due to the info he has, anyone knowing where he is a risk for total failure. Will we see him return? Time will see.

Coulson and Alphonso “Mack” Mackenzie (Henry Simmons) have a meaningful scene where Mack warns the new Coulson that.. when the mission is done, he’s going back in his box. Mack and Quake (Chloe Bennet) are struggling with their own beliefs. The fact that Coulson didn’t want to be saved and be at peace weighs heavy on Quake. Mack, on the other hand, seems cold and believes the LMD project was an abomination. The moral dilemma is felt though-out the episode and seems to be a season wide feeling.

“Fuck the Police”.

The newly formed tag team, Coulson and Mack assume that the Chronicoms want to be at the party to assassinate Roosevelt, potentially threatening the very existence of S.H.I.E.L.D., so they go to the party with Quake and Deke (Jeff Ward) to stop that happening. It turns out that they had the wrong target. The Chronicoms weren’t there to kill Roosevelt; their target was a seemingly unimportant barman called Freddy (Darren Barnet).

S.H.I.E.L.D. manages to stop the Chronicoms from killing Freddy, before heading back to the speakeasy where he works to find out who he is from the bar’s owner, eventual SSR agent Ernest Hazard Koenig (Patton Oswald). This Koenig is not as nice as the other Koenig relatives who all work for S.H.I.E.L.D. in the future, but he does tell them what they need to know. Freddy is actually Wilfred Malick, the father of Gideon Malick who becomes the head of HYDRA. If the Chronicoms kill Malick, then HYDRA’s stamped out before it ever takes hold and S.H.I.E.L.D. is never formed.

The cat ‘n mouse battle between the team and the Cronicoms comes with its usual shoot-out, action scenes in all its budgeted glory. The likeliness that the final season will take place in the prohibition era is a bit underwhelming, though they do stay true to the fact that this time in history has its social plight. Mack gets the usual person of color looks, while Quake gets talked down to for being a woman. Both characters stand their ground with witty writing that gets the point across while maintaining the family friendly feel.

This episode places the choices of morality vs. the greater good for all, front and center. Will this be a season wide theme? The episode ends on the decision that in order to save the world, they must save hydra, for now at least. 3/5 Bibles.

-Ronny Lecuyer