STAN LEE & JACK KIRBY / COMICS SATIRE & POLITICAL CARTOONS [Comic-Con@Home]: Decoding the Dynamic.

DECODING THE LEE/KIRBY DYNAMIC Comic-Con@Home

“Cardinal” Roberto de Bexar
@RobBex2

It’s one of those “chicken and egg” questions, one that ardent Marvel fans will argue about: who created the Marvel Universe as we know it? Was it Stan Lee? Was it Jack Kirby? Or, was it truly a mixture of the two with a few other ingredients mixed in (Steve Ditko, John Romita Sr., Roy Thomas, etc) and.. that is what this panel was about.

Hosted by Rob Salkowitz, the fun, interesting panel included Fred Van Lente & Crystal Skillman, Abraham Riesman, and Danny Fingeroth, but it never truly divulged anything we didn’t already know. The Marvel Comics creation.. conclusion.. falls somewhere in the middle– that both Lee and Kirby were the gods of Marvel. The panel hits a few key times in their complicated history, when Kirby came back to Marvel after leaving DC after leaving Marvel the first time (the King had a complicated history with the Big 2) and being partnered with someone his polar opposite.

Lee was always more the business man. A great point brought up for the reason comic geeks continue to argue over this “dynamic”: we have these two mythical figures and comic fans need a good guy/bad guy. There just has to be an inherent bad guy in all of this. And it isn’t like we haven’t seen this before, but the main consensus at the end of the panel is that Marvel, the Fantastic Four, the X-Men, the Avengers, Hulk, Thor.. none of these books would be the same without Stan Lee and Jack Kirby’s work on the books together. How much each contributed will always and forever be up for debate and that’s okay. It’s what comic book stories and stores — whenever we get back to them — are made for.

In short, the panel is a fun one to watch if you don’t know anything about the Stan Lee/Jack Kirby mythos. 3/5 Marvel Encyclopedias.

-Robert Bexar




COMICS SATIRE & NEW POLITICAL CARTOONS

Kevin “Pastor” Palma
@eggrollko

Political commentary and satire have always been a big part of comics, both as books and strips. However, over the past couple of decades political discourse –and frankly politics as a whole– has become so toxic and exaggerated that at times it’s felt impossible to distinguish between reality and satire. Jacob Rogan, an assistant editor at the Washington Post, moderated a panel that delved into that issue alongside R. Sikoryak (Constitution Illustrated), Ben Passmore (BTM FDRS [pronounced Bottom Feeders]), Ezra Claytan Daniels (BTM FDRS), Mr. Fish (Nobody Left), and Ann Telnaes (Trump’s ABC).

While the topic itself is relevant and some good points were made, the fact that they all came from a similar perspective made this panel feel just like the echo chamber that several panelists mentioned being worried about at various times.

The standout voices for me were Passmore and Fish. Mr. Fish criticized political cartoons for oversimplifying the issues at hand and he specifically mentioned that explicitly mocking Trump “satisfies the disdain for the guy, but it doesn’t even attempt to educate what is wrong with the system and how somebody like that can be elected and how they’re enabled in this process.” Passmore held the perspective that the current political climate isn’t exceptional, but rather a continuation of other problems.

That all said, the panel as a whole honestly has a very narrow audience. The only people who would find this interesting in any way are people who are interested in the works of any of these authors, are interested in the frame of mind of political cartoonists, and who, like Fish so eloquently said, “have a rage that’s deep and wide.” If you don’t at least fall into 2 of those three categories, you might find this panel exceptionally boring. 2.5/5 Bibles.

-Kevin Palma

THE MARVEL TELEVISION UNIVERSE [BelserVerse]: The Story of Thor the Viking Ghost and Ninja Devil.

JaDarrell “The Belser”
@TheBelser
Though we have covered all the CBS/Marvel characters under the original deal in the 70’s, I’m going to go ahead and add two extra ones for good measure. I’m doing this for two reasons: 1). I’m a nice nerd and 2) these two are spinoffs of one of the originals: The Incredible Hulk. As previously stated, New World Pictures relaunched The Incredible Hulk TV franchise as a series of TV movies in the late 80’s. Two of the movies served as ‘tryouts’ for some potential new series based on new Marvel characters. The first movie, The Incredible Hulk Returns, introduced a new character from the Marvel TV pantheon: The Mighty Thor.

Thor’s debut

Based on the God of Thunder from Norse Mythology, Thor was created by writers Stan Lee sand Larry Lieber with artist Jack Kirby and debuted on Journey into Mystery #83 (August 1962). Stan Lee described Thor’s creation as a means to one-up his most recent success at the time, The Incredible Hulk:

“[H]ow do you make someone stronger than the strongest person? It finally came to me: Don’t make him human — make him a god. I decided readers were already pretty familiar with the Greek and Roman gods. It might be fun to delve into the old Norse legends… Besides, I pictured Norse gods looking like Vikings of old, with the flowing beards, horned helmets, and battle clubs. …Journey into Mystery needed a shot in the arm, so I picked Thor … to headline the book. After writing an outline depicting the story and the characters I had in mind, I asked my brother, Larry, to write the script because I didn’t have time. …and it was only natural for me to assign the penciling to Jack Kirby…” ( 2019, Wikipedia, Thor( Marvel Comics) ).

DC’s Thor

NOTE: Prior to the debut of the Thor we know now, Jack Kirby did a version of Thor for DC Comics in 1957 for the comic Tales of the Unexpected #16.

“I did a version of Thor for D.C. in the fifties before I did him for Marvel. I created Thor at Marvel because I was forever enamored of legends, which is why I knew about Balder, Heimdall, and Odin. I tried to update Thor and put him into a superhero costume, but he was still Thor. “[I] knew the Thor legends very well, but I wanted to modernize them. I felt that might be a new thing for comics, taking the old legends and modernizing them.” (2019, Wikipedia, Thor (Marvel Comics) ).

Thor has gone on to become one of the most popular Marvel superheroes ever. Journey into Mystery was eventually re-titled The Mighty Thor with issue #126 in March 1966. Thor would become a founding member of The Avengers and would help forms the ‘Holy Trinity’ (along with Captain America and Iron Man).

Thor’s first foray in multimedia was as one of the five heroes featured on the syndicated TV show The Marvel Superheroes in 1966. It was a half-hour program made up of three seven-minute segments of a single superhero each weekday. Thor was (ironically) the Thursday hero.The series was poorly received due to the cheap animation and only lasted 4 months (September to December).

The series, produced in color, had extremely limited animation produced by xerography, consisting of photocopied images taken directly from the comics and manipulated to minimize the need for animation production. The cartoons were presented as a series of static comic-strip panel images; generally the only movement involved the lips when a character spoke, the eyes, and the occasional arm or leg, or a fully animated black silhouette” (2019, Wikipedia, The Marvel Super Heroes).

As the new Hulk TV films went into production, most of the production crew from the series returned. The most notable omission was Hulk series creator Kenneth Johnson. In the years between the Hulk series cancellation and these films, Ken Johnson had created the successful mini-series V and was working on the Fox show Alien Nation at the time. For Thor’s live action debut, a number of changes made to the Thor and Don Blake characters. 

Thor’s original transformation

• In the comics, Don Blake was able to transform into Thor by hitting an ancient wooden stick on the ground. Here, both Blake and Thor are presented as separate entities though it is implied throughout the movie that they are connected by unknown means.
• Thor is not an Asgardian nor is Asgard mentioned. He is merely a warrior king who refers to himself as “the son of Odin” .

Stan Lee flanked by the actors playing his creations

• The intention of the TV movie was to piggyback off the name value of The Incredible Hulk TV series to provide  a backdoor pilot for a  new potential series starring Thor and Don Blake traveling around and solving crimes with some ‘Odd Couple” comedy.

Casting Donald Blake and Thor:

Steve Levitt, Thor’s handler

For the role of Donald Blake, the producers picked actor Steve Levitt. Levitt’s most famous film is as Bradley Brinkman in the 80’s comedy Hunk. In the film, Levitt’s nerdy character makes a Faustian deal to be transformed into a handsome popular superstar named Hunk Golden for the price of his immortal soul. Levitt, it would seem, has abandoned the entertainment industry and has become a bit reclusive.

The ‘thunder god’ himself, Eric Allan Kramer

However, for the role of The Mighty Thor, the producers chose stage actor Eric Allan Kramer in his first major film role. Kramer talks about the experience in an interview with Yahoo Entertainment:

“It was literally one of the first things I auditioned for when I first came to Los Angeles. I think it was as much as a surprise to my agent as it was to me when it all came around. I was completely green to the whole process of auditioning and castings so it was a great learning experience, on top of being very exciting. I was big into comic books growing up, and I was a huge Spider-Man fan. So I was well versed in that whole universe”( Alter, 2017, Throwback Thor’s-day: How Eric Allan Kramer became the first live-action Thor, Yahoo!.com)

Eric Allan Kramer today

Eric Allan Kramer has gone on to a very lengthy and diverse career since the early 90’s in movies like True Romance, High School High and American Wedding. My personal role of his is as Little John in the Mel Brooks farce Robin Hood: Men In Tights. In recent years, he has found success in family television, playing dad roles on shows like Disney’s Good Luck Charlie and Nickelodeon’s The Thundermans.

 

Origin:

Donald Blake, M.D. was a young troublemaker with an affinity for Viking culture. Blake was once the student of Dr. David Banner during a stint at Harvard Medical School. Eventually, Don became a physician himself. His love of Norse mythology led to him accepting the position as the team doctor for an amateur archaeologist group heading into the mountains of Norway. One night during the expedition, Blake found himself awaken in the middle of the night by sudden urge to climb a nearby mountain. Blake then committed to climbing the mountain, not knowing where he was headed but entirely sure that he was going in the right direction. Soon after, he found a cave whose entrance have been kept open due to warm volcanic air. As he went inside further, he noticed wall adorned with Viking runes (which he had previously not been able to read but could now). The runes read “You have pierced the heart of Odin. Turn and go away or go forward and be eaten by your fate”.

Thinking the warning is a form of reverse psychology, Blake moved forward. Eventually, he spotted a large stone sarcophagus. On the top of the sarcophagus were more viking runes except these told a story. The writing told the legend of a mighty warrior and king named Thor, the inhabitant of the sarcophagus. The story states that Thor is forbidden from entering Valhalla (the viking equivalent of Heaven) until he performed a number of heroic tasks as a penance for the sin of arrogance. With curiosity overwhelming him, Blake opened the top of the sarcophagus. Inside, he found the skeleton of a large man decked out in viking armor. By his side, Blake noticed a viking war hammer. Blake picked it up and, while dusting it off, the hammer started to vibrate and emit sparks of lightning. Blake could not let go while this is happening. The sarcophagus itself glows with light. Suddenly, the resurrected form of Thor appears before Blake. Blake soon discovers Thor is a part of him in a way that he cannot explain. At that moment, Blake was chosen to be Thor’s guide in his quest to enter Valhalla. After finding Blake’s lost mentor David Banner, Thor and Blake bond and become a very unlikely crime-fighting duo.

Donald Blake:

Prior to funding for finding Thor, Donald Blake had a reputation as a bit of a troublemaker. Most notably, he had a tendency to start trouble and then run away. Blake can also be quite selfish as he ruins Banner’s chance to cure himself to serve his own needs. Blake’s summoning of Thor in anger also broke Banner’s successful two-year streak with no changes into The Hulk. However, Thor was dedicated to finding the heroic side of Don Blake (with some help from David Banner). Blake is a licensed physician and has a light level of technical expertise. He was able to shut down Banner’s Gamma Transponder and help rebuild its computer banks again (after a violent scuffle between The Hulk and Thor). Blake is a skilled tracker as he was able to find out that the long-believed-dead David Banner was alive when no one else could. His past mountaineering skills also allowed him to scale the top floor of the Joshua Lambert Institute to locate Banner. Blake is has also shown to be slightly proficient in both hand to hand combat and with firearms like an M-16.


NOTE: Don Blake was Thor’s alter ego in the comics for years and was created by Odin for that sole purpose. In the MCU, Don Blake is mentioned as an old boyfriend of Dr. Jane Foster (She describes him as ‘good with patients, bad with relationships’). Dr. Erik Selvig also uses a falsified version of Blake’s ID to help Thor to evade SHIELD agents.

Abilities:

Conjuring:

Donald Blake bringing out Thor from the netherworld

‘Odin has made you my guide in this place. And for humility’s sake, I must follow your lead. Well then, lead!” – Thor.

After finding Thor’s hammer, Blake gained the ability to summon the spirit of Thor and give it a human form again. The act takes only seconds to complete. It is at Blake’s discretion when Thor appears but, at moments, he seems to do it against his wishes. The process is as follows:
• Blake holds the hammer in both hands (accompanied with the sound of rolling thunder) and screams the name ‘Odin! at the top of his lungs.
• A bright flash of lightning strikes down (even while indoors). It is usually so bright that Blake has turn away and close his eyes.
• The lightning begins to form into the shape of a human.
• Thor materializes as the thunder and lightning subsides

Of the two, Blake is the one that is tasked to summon Thor as Thor cannot remain on this plane of existence himself. As it is explained, Blake acts as a human anchor for Thor’s presence. Banner describes Blake’s ability to bring on Thor as Blake having ‘the wrath of God in a bottle’. The hammer itself also has a psychological hold on Blake. Blake states he has tried to get rid of the hammer several times only for it to draw him back ‘like a chain’. Banner and Blake have a conversation to help Banner better understand the Thor/hammer situation:

Blake: The closest thing I can come to an explanation is what’s popularly known as channeling.
Banner: The spirits of the dead existing again through the living,
Blake: Right. So this hammer is like a switch that turns the channel on and Bang! There he is! But he’s not a ghost or spirit. He’s real! He’s as real as this {kitchen} counter. Only bigger!

Thor:

The battle happy Thor

Thor is an ancient viking warrior and king who has been infused with more natural power than the average human. Thor has a largely fight-hungry persona due to his many battles over the centuries. At some point, Thor was killed and his spirit was banished to a dark realm for all eternity. His arrogance prevents his soul’s entry into Valhalla until he performs a sufficient amount of heroic tasks. Thor begrudgingly accepts the fact that Blake is his guide and even refers to him on occasion as his “master“. His hobbies include laughing with women and fighting with men. Thor has a very imposing and intimidating presence that can be seen as aggressive to regular people. As such, Thor prefers the company of warriors like himself (He befriends a gang of bikers and likes to hang with The Hulk more than Banner).  Thor speaks in what some people would call a Shakespearean or OId English dialect, using words like ‘Thou’ and ‘Thy”. Thor has a tendency to refer to people and modern conveniences by ancient terms (He calls Banner “a warlock’, The Hulk ‘a troll” and a car “a metal chariot). Our modern world intrigues and confuses Thor( He thinks the justice system is too weak on criminals and he hates science). Apparently, Thor rests as a body-less spirit until summoned by Blake. The process in which Thor is brought back to Earth often leaves him sometimes confused and mostly hungry/dehydrated (His first request whenever he is resurrected is usually to have some form of drink).

Thor explains to Blake what is like for him in the dark realm as he waits for Blake to summon him: “Do you know it is like to be without flesh, Blake? Without flesh that you can feel? Without blood pumping through your limbs? With no heart and no chest to hold it? And still at the same time, to be awake? Not sleeping. Not dead. Not anything. A place of mist and smoke. Darkness. Alone, as if in some terrible dream. And then…..Then, Blake… to hear the call. Like a war horn in battle. And then to awaken as you were, when men and women ate life with shining teeth! None of them are left now. But I am as I always will be!”

Superhuman Strength:

Thor possesses a relative level of superhuman strength. The source of this strength is unknown but might have something to do with his current existence is a non-corporeal spirit. NOTE: In the movie, Thor calls himself ‘The son of Odin” and it is unclear if this was just a boast or if he is actually a demi-god( a god/human hybrid). When charged into corporeal form, it may provide an extra amount of physical power to Thor. Thor is able to rag-doll and toss a full grown man number of feet away and was able to nonchalantly throw another man through a wooden door. In a bar scene, Thor merely flicks his wrist and knocks a man unconscious. His most notable feat of strength in the movie is the fact that he was able to engage in a full-blown battle with The Hulk, the most powerful creature on Earth. This strength also extends to his voice: when hailing a cab in the middle of the night, Thor’s voice is so powerful that it stops a yellow cab in its tracks and nearly deafens Blake.

Superhuman Durability:

Thor has a much sturdier and more durable body structure than the average human. This is first shown when he was thrown through a glass window by The Hulk with no cuts or bruises. Thor also displays an extraordinary resistance to alcohol as he was able to drink at least a dozen full pitchers of beer by himself with no drunken after effects. In the bar scene, a biker punches Thor in the stomach and breaks his own hand as a result. His girth is also hefty enough to temporarily stall the launch of a helicopter.

Thor’s Warrior Garb:

Thor in full regalia

Thor’s warrior garb is composed of dark brown leather pants, and knee-high brown boots lined on the top with white animal fur. His body is covered in a muscle cuirass (a metal chest plate made to look like a man’s torso) with wings on the abdomen and the arm pit area lined with more white animal fur.  Thor wears a pair of leather bracers on each wrist.  He has a leather belt with a large buckle adorned with the symbol of Thor’s hammer.  The belt has a small sword in a holster that is never used in the film. Thor also wears a gray helmet with large gray wings on either side and chain mail to protect his neck. Thor can be seen wearing a beige cloth parka when relaxed. Thor wears a thin leather necklace with a leather charm in the shape of his hammer.

Thor’s Hammer:

Thor’s hammer

The hammer has been Thor’s primary weapon for centuries and It is also his means of entering our world in this new life. After Thor materializes, he uses the hammer in combat.  At no point in this movie is the hammer referred  to as ‘ Mjolnir‘. This version of the hammer also lacks a lot of the enchanted qualities of the comic book version:
• In the comics, only those who are considered worthy can lift the hammer. In this movie version, anybody can basically handle it. (Thor, Blake and David Banner are all seen handling the hammer with no problem).
• The hammer’s ability to return to Thor’s hand when thrown is not included in this version. However, when thrown, the hammer strikes with the same amount of force as a bolt of lightning (It is shown being able to take out a speeding car).
• The mallet portion of the hammer can deflect bullets.
• When Thor uses the hammer to strike an object or a person, the hammer gives off sparks of lightning, giving it an additional ‘stun gun’ effect on its target. The hammer was even powerful enough to (momentarily) stop The Incredible Hulk.

TV Movies:


The Incredible Hulk Returns

Debut: May 22, 1988 on NBC.

In the years since the end of the series, Dr. David Banner has a job at the Joshua-Lambert Research Institute (as David Bannion). He is romantically involved with Dr. Maggie Shaw, a co-worker of his. Even better, he has not changed into the Hulk for two years. David and a team of scientists have completed a machine called the Gamma Transponder. Banner intends to use the machine to cure himself of The Hulk once and for all. However, he is interrupted by a former student of his, Donald Blake. Blake reveals he is now in possession of an ancient hammer that summon The Mighty Thor, an immortal warrior banished by Odin to Earth. damages equipment and angers Banner until he turns into the Hulk, and the mammoth men fight. Meanwhile, a traitor within the Joshua-Lambert Institute uses a group of mercenaries to try to kidnap Banner and the Transponder. The leader LeBeau targets Dr. Shaw instead of Banner and it will take the combined efforts of the Hulk and Thor to save her.

  • Film Notes:
    This marked the first live-action crossover between two major superheroes from the Marvel Universe.
  • At point, Blake refers to Banner as “My Favorite Scientist” as an inside pun on Bixby’s first sitcom “My Favorite Martian” .

• This is also the first live action depiction of the fan favorite ‘Thor vs Hulk’ match-up. This confrontation has been redone in comics, cartoons and movies in the Marvel Cinematic Universe like The Avengers and Thor Ragnarok.

Daredevil: The Man Without Fear:

 

 

 

The last of this spinoff line of TV superheroes is Daredevil: The Man Without Fear. Matt Murdock/Daredevil debuted in Daredevil #1 (April 1964) created by writer Stan Lee and artist Bill Everett. Some of the character’s initial design input came from artist Jack Kirby (Kirby created Daredevil’s billy club/grappling hook) Stan Lee explains the creation of Daredevil in an interview for the DVD special features of the 2003 Daredevil movie:

“I wanted something for Bill Everett to do. When we first did Daredevil, I said to myself, ‘Here’s Bill who had created the Sub Mariner, who was one of the great talents in our business and as far as I know he isn’t doing anything. I gotta dream up something for him’. A number of people had written articles in different papers and magazines about the fact that all of our heroes, all the ones I had come up with were flawed. So I thought well I gotta find a guy with another flaw. That seems to be what turns people on

Daredevil during his ‘Swaskbuckler’ days

Daredevil spent many years as a ‘Scarlet Swashbuckler’ because of Lee’s love of classic actor Errol Flynn and his films.

Frank Miller’s dark and gritty reinvention of Daredevil

However, in the late 70s, writer-artist Frank Miller joined the book and changed it completely. Miller played up elements like street violence, religion and a splash of Kung-Fu mysticism. Miller’s run made the character into a critical hit amongst fans and creators alike.

Prior to his appearance in Trial of The Incredible Hulk, several attempts were made to bring a Daredevil TV show to fruition.

Daredevil and Black Widow ( sort of..)

• In 1975, Angela Bowie (ex-wife of rock icon David Bowie) secured the TV rights for a show based on the Daredevil and Black Widow comic at the time. A series of pictures surfaced online of Bowie as Black Widow and actor Ben Carruthers as Daredevil
• In 1983, ABC wanted to do a live-action Daredevil pilot with Academy Award-winning writer Stirling Silliphant as the writer. It never made it past the drawing board,

the first multimedia appearance of Daredevil

• Daredevil’s first ever multimedia appearance was on an episode of Spider-Man and His Amazing Friends entitled “Attack of the Arachnoid”. Voiced by veteran voice actor Frank Welker, Matt Murdock serves as Spider-Man’s lawyer when he was framed for a crime by a chemical scientist. Daredevil appears in a flashback.

Casting Daredevil:

For the dual role of Matt Murdock/Daredevil, the producers cast actor/singer Rex Smith. In the late 70’s/ early 80’s, Smith was considered a teen idol  and was regularly featured in magazines like Tiger Beat. Smith also enjoyed success as a singer with his biggest hit being the Top 10 single “You Take My Breath Away“. When Smith transitioned into acting, he appeared as a guest star on shows like The Love Boat and was the host of the music show Solid Gold.

Rex on ‘Street Hawk’

Smith’s biggest acting credit was as the star of the Knight Rider rip-off Street Hawk as a cop with a super motorcycle. Rex Smith as Matt Murdock played the character as kind but , at times, temperamental. . Rex Smith talks about getting the role of Daredevil in a podcast interview:

“I had to pass muster with Stan{Lee} at that time, not Disney. it was his baby. He was very hands-on. I really liked portraying Matt maybe more than the Daredevil, the human side of him. I really emotionally felt empahty with his plight. Anyway you look at it, even his super power is a plight. It was a part of his life that he didn’t ask for and it was accidental but he made the best of it and turned it into a positive. I admire him. I admire that he was a lawyer. It was truly a wonderful experience from A to Z”.

Several changes were made to the character for his live action debut:
• The most notable change being his costume. Instead of an all red costume with horns and two Ds on the chest, Daredevil wears an all-black ninja like suit with a mesh bllndfold over the eyes. The black costume has become a popular alternative choice and has been featured in the comics and on the Netflix Daredevil show as a ‘starter’ uniform for the character.

This TV movie marks the debut of the ‘black’ Daredevil suit
The black suit was used as the early Daredevil suit on Netflix

• The characters or Foggy Nelson and Karen Page are mixed together as Krista Klein, Matt’s legal partner/potential love interest.
• This version of Daredevil secretly works with a police captain. Daredevil in the comics had no such relation.
• His religious views and complicated past life are left out.

  • Origin:

Matt Murdock was the son of a boxer whom Matt describes as ‘a good middleweight’ and his mother passed when he was too young to remember. The criminal element gained control of Matt’s father and, when he fought back, he was murdered. In 1968, fourteen-year-old Murdock saved an old man from being hit by a speeding truck. That truck was illegally carrying radioactive waste into the city. A metal drum got knocked loose in front of Matt and its radioactive material spilled and hit his eyes (A wave of green liquid was the last thing Matt ever saw). Matt was given an award for bravery for the act. He was blinded, but his other senses increased tenfold and he has a kind of radar sense that allows him to detect objects. 10 years prior, Matt had just become a lawyer and was ready to fight the criminal plague but had no idea how. One day, he happened upon a press conference on the steps of the local courthouse. At the center was police officer Albert G. Tindelli, who just walked out of a police task force. Tindelli called the task force ‘a sham’ and accused the officers involved and the DA’s office of corruption. When asked who can stop the criminal organization, Tindelli makes a unique suggestion:

“Maybe somebody who could work alone can do some damage. Maybe somebody could get behind the lines, hit and run. Keep himself a secret. Maybe some kind of a….I dont know…crazy…daredevil, if you will, could hurt them. You can laugh all you want but it will be somebody that can’t kill off, pay off or scare off”.

The suggestion inspires Matt to physically train himself to his limits (and beyond) and adopt a new identity: a secret vigilante known only as ‘Daredevil’. His motivation to become Daredevil was not revenge but to protect people from criminals who have corrupted the law. One night, Matt introduces himself in full costume to Tindelli and the two form a secret partnership. Tindelli is unaware of Daredevil’s true identity but contacts him with an untraceable phone link to provide clues and tips on cases. Daredevil has been regarded as an urban legend that is feared by the underworld. Daredevil is also respected by the street populace( His name is adorned as street graffiti and the neighborhood kids ask of his well being when he goes missing for a brief period). 

Wilson Fisk:
Matt’s primary villain in this film is also his primary villain in the comics, Wilson Fisk (aka The Kingpin).

Kingpin as he appears in the comics

Initially a Spider-man villain, The Kingpin was created by Stan Lee and artist John Romita Sr. His physical appearance on actor Sydney Greenstreet, best known from classic Humphrey Bogart films like Casablanca and The Maltese Falcon.

Kingpin as he appears in this TV movie

In this film, Fisk is played by British actor John Rhys-Davies. Rhys -Davies is a classically trained actor who has appeared in major blockbusters like Raiders Of The Lost Ark and The Lord Of The Rings. Rhys-Davies doesn’t look much like comics’ Kingpin aside from his stocky build. He has slicked back hair, a beard, wears dark suits and frequently wears special Aviator shades. Operating out of a large penthouse office, Fisk acts as the head of a large organization responsible for much of the criminal activity in the city. Fisk is shown to be quite sadistic and ruthless (at one point, he orders the deaths of David Banner and an innocent school teacher). Fish even personally supervises the major crimes like a diamond heist and an ambush of Daredevil. It is unknown why Matt has such a strong personal vendetta against Fisk. Fisk is never referred as ‘The Kingpin’ at any point in the movie.

Powers/Abilities:
Lawyer/ Investigator: Murdock is a skilled and respected attorney with his own law firm, Murdock & Klein. Because of his profession, Matt is shown to be a skilled detective and tracker. He often uses his condition as a blind man to eavesdrop on conversations or to evoke sympathy to his advantage. Matt is also shown to be an expert in interrogation and can switch from sympathetic to aggressive at the drop of a dime.

Radar Sense:
Banner: How can you see?
Matt: I don’t. I sort of sense things. A kind of radar sense with amplified hearing and scent and touch. I can listen in on your heartbeat. It changes if you are lying or anxious. And I can read normal print with my fingertips.

Due to his exposure to radioactive material, Matt develops an extra sense which operates similar to echolocation in bats. It allows him to sense numerous things, including balance, direction, minuscule changes in air vibrations, and blankets of temperature variations, that are usually imperceptible to human beings. The radar sense is represented to the viewer as night vision with a greenish tinge.

Superhuman Hearing:

Matt’s hearing is extremely acute. Matt can clearly overhear conversations from several meters away (even on a telephone). Matt mostly uses this ability in his duties as a lawyer to hear peoples’ heartbeats (acting as a human lie detector). Matt was able to keep track of a person’s movements by listening to their heartbeat or breaths. This ability would be his greatest weakness as high-pitched noise can disorient him.

Superhuman Smell:

Matt’s sense of smell is even sharper than a dog. Matt was able to smell that the perfume his legal partner wore was brand new and exactly what she had for breakfast (‘pancakes and syrup with strawberry jam’).

Enhanced Touch:

Matt’s sense of touch is so sensitive that he can read regular print with his fingertips. Banner tests him by writing a sentence on a piece of paper. Matt reads it with his fingers and repeats to David what the paper says: ‘I don’t believe you’. Matt’s sensitivity allows him to take a ‘photograph’ of people with their consent ( rubbing his hands over the contours of a person’s face and committing it to memory). Matt discovers David’s secret by touching The Hulk’s face and holding it as he transforms back. Matt says “ David…you poor soul…” as he remembers Banner’s ‘photograph’.

Martial Artist/Acrobat:

Matt Murdock is a very fit man who is extremely skilled in martial arts. As Daredevil, Matt’s fighting style incorporates boxing, kung-fu, and karate. Daredevil could take down street criminals with ease, defeat a professional hit woman in a hospital and single-handedly took down multiple gangsters at Fisk’s headquarters. Matt also rigorously trained himself in gymnastics and excelled in it. He could do several agile flips with ease. He is also highly skilled with moving over rooftops and climbing buildings.

Daredevil’s Billy Club:
Matt’s primary weapon is a billy club that he uses in a variety of uses in his fight against crime:

Daredevil putting his billy club to use

Baton: Daredevil mainly uses the billy club as a close combat weapon that could bludgeon people and trip up criminals when thrown. The club could be used as a stop to silence closing doors or prop open an elevator.
Grappling Hook: The billy club can converted into a grappling hook. The billy club shoots a plunger onto a structure and then Daredevil can descend or ascend on the cable. Matt does this to Fisk’s building from a nearby rooftop.

TV Movie:

The Trial of the Incredible Hulk 

Debut: May 7th 1989 on NBC

After the events of The Incredible Hulk Returns, David Banner makes his way towards a large city with the hopes of renting a room and staying buried. Unknown to him, the city he arrives in is under the control of a powerful criminal named Wilson Fisk. When David travels on the subway, two of Fisk’s men harass a woman named Ellie Mendez. David reluctantly attempts to save a young woman but ends up being attacked and transforms into The Hulk. After changing back, David is arrested by the police and wrongfully charged with the crime. While awaiting trial, David is approached by Matt Murdock, a blind defense assigned his case. David doesn’t want any help, saying “Maybe I belong in a cage”. Matt, however, has faith in David and is determined to prove he is innocent. One night, David has a nightmare about transforming into the Hulk on the witness stand of his trial. The stress of this causes him to transform for real and the Hulk busts out of prison. Daredevil tracks the escaped David down and reveals his secret identity to win David’s trust. At Matt’s home, Matt explains how he became Daredevil and that he needs David’s help to take down Wilson Fisk. The two bond over their mutual misfortunes caused by radiation exposure and set out to save Ellie Mendez and stop Fisk.

Banner and Daredevil: Radiation Bros.

Film Notes:

Hulk and Daredevil behind the scenes

• The film was directed by Bill Bixby.

Looking quite ‘devilish’

• The film’s damsel in distress, Ellie Mendez, was played by late actress Marta Dubois. Star Trek fans will remember her as ‘Ardra’, an evil con artist pretending to be The Devil in the Star Trek: The Next Generation episode ‘Devil’s Due’.

The first cameo of many…

• The most notable part of this film is that it features the very first cameo of Stan Lee in a Marvel film. Stan can be seen as one of the jury members overlooking Banner’s trial. These cameos would become Stan Lee’s signature until his death in 2018.
• There is no ‘trial’ in The Trial Of The Incredible Hulk. The trial seen in the film is actually a nightmare had by David Banner.

Conclusion:
I hope these articles gives you a better insight to these older versions of heroes that are fresh in our minds. It shows that a well crafted character can survive from generation to generation. Until Next Time!!

References:
• Krug, K. Feb 20, 2017. ‘Nicholas Hammond to make his debut at Great Lakes Comic-Con Feb. 24-25’, The Oakland Press.
• Parker, R. JUNE 27, 2017 11:09AM. ‘Stan Lee Hated 1970s ‘Amazing Spider-Man’ TV Series’, The Hollywood Reporter
• Stan Lee, December 27, 2006, “Stan Lee on Realism in the World of Comic Heroes” NPR.com.
• 2019. Hulk( comics), Wikipedia
• Greenfield, D. Nov 9, 2018. LOU FERRIGNO: When I Was the INCREDIBLE HULK, The 13th Dimension.
• Cecchini, M. Nov 6 2016, Doctor Strange: The Wonderful Weirdness of the 1978 TV Movie, Den of Geek,
• Ryan, M. June 4,2014, The Bizarre Case of the 1978 ‘Doctor Strange’ Movie, Screen Crush
• Couch, A. November 01, 2016. ‘Dr. Strange’: The Untold Story of the 1978 TV Movie Everyone “Had Great Hopes For”, The Hollywood Reporter
• 2016, AICN COMICS Q&@ with Peter Hooten the Original Doctor Strange!, Ain’t It Cool News.
• 2019, Dr. Strange(1978 film), Wikipedia).

-JaDarrel Belser

WORLD OF SUPER ADVENTURE – THE STORY OF THE HANNA BARBERA SUPERHEROES of the 60’s [Good Friday, Part 5]: The Fantastic Four.

JaDarrell “The Belser”
@TheBelser

REED: We four have been invested with the powers of the universe! More power than any other four people on Earth! With this power properly controlled and applied, we four could aid and do good for all mankind! And so, to fight tyranny, I put out the hand of Mister Fantastic!

JOHNNY: And against crime, The Human Torch! (FLAME ON!).

SUE: Against evil, The Invisible Girl!

BEN: And against greed and all the rest, THE THING!

REED: And so, it will be! The Fantastic Four! For the good of Man! – The oath of The Fantastic Four

The Fantastic Four:

The debut issue of The Fantastic Four

Finally, we will discuss the most unique entry of the bunch as it is the only one based on an actual comic book property: The Fantastic Four.  Published by Marvel Comics and debuting in The Fantastic Four #1 in November 1961, the quartet of heroes was created by Stan Lee and Jack Kirby. Marvel publisher Martin Goodman was made aware the sales of DC’s recently released book Justice League of America and how superheroes. With this information, Goodman went to head writer Stan Lee.

Lee recalls the initial creation:  “Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called The [sic] Justice League of America and it was composed of a team of superheroes. … ‘If the Justice League is selling’, spoke he, ‘why don’t we put out a comic book that features a team of superheroes?’ (Wikipedia, ‘  Fantastic Four”) At this point,  Lee was already a 20-year veteran and fed up with comics. On the verge of leaving the industry, Lee was convinced by his wife Joan to create a comic that he would enjoy reading himself. With the Fantastic Four, Lee decide to break all the comic book rules. Prior to the Fantastic Four, most superheroes were cookie cutter do-gooders with no distinct personality about them. With Stan, they got emotional problems, financial and relationship issues and, at certain times, they would be hunted by the people they will be sworn to protect. To quote Robocop screenwriter Michael Miner, ‘Stan Lee created the superhero with a headache’. Lee went to head artist Jack Kirby and they used another Kirby-created group as the basis: DC Comics’ Challengers of the UnknownKirby notes this in an interview:  “[I]f you notice the uniforms, they’re the same… I always give them a skintight uniform with a belt… the Challengers and the FF have a minimum of decoration. And of course, the Thing’s skin is a kind of decoration, breaking up the monotony of the blue uniform.” (Wikipedia, ‘  Fantastic Four”) .

With the immediate success of The Fantastic Four, Lee and Kirby that ushered in the Marvel Age of Comics.  The FF were soon joined by other creations like The Incredible Hulk, The Amazing Spider-Man, The Avengers, The Uncanny X-Men and more.  Having conquered comics, the team at Marvel decided to conquer the medium of television. Grantray-Lawrence Animation had already produced a syndicated cartoon called “The Marvel Super Heroes” Unfortunately, its limited animation did not do Jack Kirby’s artwork justice.  Fortunately, The Fantastic Four was developed by Hanna-Barbera and benefits from the Hanna-Barbera production pipeline and redesigns by artist Alex Toth. Most of the episodes are detailed recreations of the classic Lee/Kirby stories with comic villains like Klaw, Blastaar, The Mole Man and The Super-Skrull. The Fantastic Four series is the best looking of any of the other Marvel Comics cartoons of the time. Also, after a number of flop movies and cartoons to their name, this cartoon remains the purest multimedia  representation of The Fantastic Four to date.

Debut: September 9, 1967 on ABC :  After being exposed to cosmic rays during an outer space test flight in an experimental rocket, four civilian astronauts all gain super powers and become The Fantastic Four, a world famous group of explorers/adventurers. Operating out of their skyscraper HQ, The Baxter Building, The Fantastic Four have no secret identities and enjoy celebrity status from their scientific and heroic contributions to society.  Their members include:

  • Reed Richards:  Alias: Mister Fantastic.  A world-renowned scientific genius, Mr. Fantastic serves as the leader and authoritative father figure of the group. Richards can stretch, twist and re-shape his body like DC’s Plastic Man.  The series give Reed an additional background as a World War II veteran who served with the underground for the OSS.
  • Susan Storm Richards:  Alias: The Invisible Girl.  Reed Richards’ wife and Johnny Storm’s big sister. Sue could bend and manipulate light to render herself and others invisible.  She can also generate invisible force fields, which she uses for a variety of defensive and offensive effects. Sue’s hobbies are cooking, shopping and, occasionally, posing for fashion magazines.

NOTE:  Sue’s invisibility is illustrated in the exact same way as Space Ghost

  • Johnny Storm:  Alias:  The Human Torch.  Sue Storm’s younger brother. Johnny possesses the ability to control fire and set part or all his body aflame. This allows Johnny to become lighter than air and gives him the power to fly. The series shows Johnny as a part-time champion race car driver with a hot rod called ‘The Torchster’.
  • Ben Grimm:  Alias:  THE THING.  Reed Richards’ college roommate and best friend. Ben is transformed into a monstrous looking humanoid with orange, rock-like skin.  Ben possesses a high level of superhuman strength (one villain refers to Ben as ‘the most powerful being in the whole world’).  At times, The Thing is often filled with anger and pity over his appearance, ironically referring to himself as ‘Ol’ Handsome Benjy’.  Prior to the accident, Ben is a WWII veteran and ace fighter pilot called ‘The Grimm Reaper’ with victories in Okinawa and Guadalcanal.  Ben also had his own aviation business, Grimm Aircraft Company.  He frequently uses his catchphrase ‘It’s Clobberin’ Time!’ as a battle cry.

NOTABLE EPISODES:

    • The Way It All Began: A detailed re-telling of the origin of The Fantastic Four, complete with a recreation of the first panels of Fantastic Four #1. The episode makes the first appearance of their archenemy, Dr. Doom. Doom would become the most frequent recurring villain of the series. The episode also features Doom tell the team his own origin.
  • Galactus looks a little green in the gills
    • Galactus: Based on the first multi-issue saga in Marvel known as The Galactus Trilogy, this episode introduces the Devourer of Worlds, Galactus and his heroic herald, The Silver Surfer.  The episode does a good job of condensing the three comic books worth of material into a half hour show. There are some differences to the story:
      • Galactus is depicted as having green skin and bluish-teal armor.
      • The human woman that helps turn The Silver Surfer against Galactus is Alicia Masters, not Sue Storm like in this episode.
      • At the end of the episode, Galactus simply abandons The Silver Surfer for betraying him. In the comics, Galactus banishes him to Earth for years.
  • The Namor Episodes:

Three episodes of the series deal with a character that has been a friend and enemy during the FF’s early years: Namor The Sub-Mariner. Like Thor, Namor was one of the heroes that headlined a segment of ‘The Marvel Superheroes’ show. As such, he could not be used in any of the Hanna-Barbera properties. So, Hanna-Barbara created three original characters to take Namor’s place in each story.

  • “Demon in the Deep”: (Based on Fantastic Four #4). After The Fantastic Four successfully beat the criminal forces of a rogue scientist named Dr. Gamma, Johnny quits the Fantastic Four after getting injured. While in town, Johnny hears about sightings of a monster called the Gamma Ray. The Gamma Ray attacks New York with a giant sea monster named Giganto. Johnny rejoins the Fantastic Four and they work to eliminate the sea monster.
The Gamma Ray

Namor Replacement: Dr. Gamma/The Gamma Ray. An evil Asian scientist whose island fortress and its secret weapons are blown up by the FF. Gamma’s radioactive weapons contaminate the seabed and Dr. Gamma is infected by the radiation while escaping. He turns him into a big purple creature with a fin on his head and gains the ability to breathe underwater. He could also shoot electric bolts from his hands. With this new appearance, he proclaims himself ‘The Gamma Ray’.  NOTE: Giganto is a monster from the comics that Namor controls with The Horn of Proteus. 

  • “Danger in the Depths”: (Based on Fantastic Four #33). Johnny Storm finds a blue skinned woman named Lady Dorma and takes her back to the Headquarters. She tells them that she comes from a land beneath the sea which is under siege by a warlord named Attuma.  With Dorma’s help, The FF slip past Attuma’s forces and assist Dorma’s love, Prince Triton in defeating Attuma.
Prince Triton

Namor Replacement:  Prince Triton. Depicted as a noble and handsome ruler, Prince Triton is the blue-skinned ruler of Pacifica (Hanna-Barbera’s substitute for Atlantis).  NOTE: Lady Dorma and Attuma are both characters from the comics.  Lady Dorma was, at one point, Namor’s wife while Attuma is often seen as Namor’s archenemy. Also, Marvel already had a character named Triton as a member of The Inhumans. However, this Triton( while also water-based) had green skin, scales and fins. 

  • The Deadly Director” (Based on Fantastic Four # 9). The Fantastic Four are offered the chance to star in a movie based on their previous adventures called The Fantastic, Fantastic, Fantastic World of The Fantastic Four.   However, the Hollywood director in charge of the film is a villain named The Imposter. His plan is to lure the FF into a trap. In the comics, The FF agree to do the movie for strictly financial purposes (They have been declared bankrupt). Here, the FF are just enamored with the idea of being the stars of their own movie. Here, just like the comics, the FF are subjected to a series of death traps made to look like movie props.
The Imposter

Namor Replacement:  The Imposter.  A villain not unlike Spider-Man baddie The Chameleon, The Imposter uses a special device to emulate a person’s appearance, voice and mannerisms. NOTE: In the comics version of this story, Namor uses some undersea treasure to purchase a movie studio (SM Studios) for the sole excuse of taking his revenge on The Fantastic Four.

Legal Mumbo Jumbo:

The Fantastic Four has yet to be released on DVD, mainly because of some legal chicanery. The majority of Marvel’s 1960s-1990s animated cartoons are owned by Disney.  However, the  1967-1968 Fantastic Four  series was produced by Hanna-Barbera, which now owned by Warner Bros. This makes the series one of the rare Marvel-related TV projects not owned by Disney.

Later Works: 

Fred and Barney Meet The Thing: 

Fred, Barney and Ben
  • A show called Fred and Barney Meet The Thing debuted in 1979. The title would indicate that Fred and Barney from The Flintstones have adventures with The Thing from the Fantastic Four. However, the two entities never interact.

  • After an unspecified accident, Ben Grimm is turned into a lanky teenager named Benjy Grimm who changes into the mighty Thing by touching together magic rings and reciting the words “Thing ring, do your thing!”, releasing an explosion of energy that causes orange rocks to hurl in from every direction and transform him into the stone-skinned superhero.  NOTE: There is no mention whatsoever of the Fantastic Four or any of its members or enemies.

 The End:

Just as the superhero cartoons were gaining steam, they all ended abruptly.  After the assassination of presidential hopeful Robert Kennedy in June 1968, parental groups, media outlets, and elected officials started to express their concerns over the amount of violence on television. A point of interest became violent programs aimed at children.  As a result, the Hanna-Barbera superhero lineup didn’t receive additional episodes for the 1968 season.  Hanna-Barbera cut their losses and switched back to cartoon comedy with shows like Scooby-Doo.  In the 70’s, Alex Toth’s last contribution for Hanna-Barbera would be as the designer for their new kid-friendly version of DC’s Justice League, The Super Friends.

Recently, all the major Hanna-Barbera superheroes returned in comic book form during the massive DC Comics crossover, Future Quest.   The comic has proven to be a hit and we can foresee the Hanna Barbera superheroes are back and better than ever! Until Next Time….

References:

Benzel, Jan (January 23, 1996). “Caveman to Carp: The Prime-Time Cartoon Devolves”. The New York Times. Retrieved August 17, 2009.

2000, “Excavating Bedrock: Reminiscences of ‘The Flintstones,'”Hogan’s Alley #9,

Olbrich, David W. “Doug Wildey, an interview with the creator of Jonny Quest”Amazing Heroes #95 (ISSN 0745-6506), May 15, 1986, p. 34 WebCitation archive

 

Measimer, J. May 28,2019, ‘History of Hanna-Barbera: Space Ghost and Dino-Boy’. Reel Rundown.

McMillan, Graeme. FEBRUARY 23, 2015. The Secret Life of the Other Birdman.  The Hollywood Reporter.

2018, ‘Birdman’, Comicvine.

Bowman T. February 4, 2012, ‘He had on a Hat’: Mighty Memories of Mightor. The Bowman Blog.

Measimer, J. June 10,2019, ‘History of Hanna-Barbera: ‘Herculoids’, ‘Shazzan’, and ‘Mighty Mightor’ Reel Rundown.

February 11, 2018, ‘The Power of Shazzan’, Rip Jagger’s Dojo.

 

THE MARVEL TV UNIVERSE [BelserVerse]: Magic and Bell-Bottoms.

“There is a barrier that separates the known from the unknown. Beyond this threshold lies a battleground, where forces of good and evil are in eternal conflict. The fate of mankind hangs in the balance and awaits the outcome. In every age and time, some of us are called upon to join the battle…” – Dr. Strange

Next up on the list for the CBS/Marvel deal would be Doctor Strange. Doctor Strange debuted in Strange Tales #110 (July 1963) by writer Stan Lee  and artist Steve Ditko, the team behind the creation of Spider-Man.  Inspired by the 1930s radio program Chandu the Magician, Lee and Ditko set out to create a different kind of character, a superhero sorcerer.  Stan Lee admits that Dr, Strange was initially Steve Ditko’s idea:

Introducing Doctor Strange

 

 

“Well, we have a new character in the works for Strange Tales (just a 5-page filler named Dr. Strange) Steve Ditko is gonna draw him. It has sort of a black magic theme. The first story is nothing great, but perhaps we can make something of him– ’twas Steve’s idea and I figured we’d give it a chance, although again, we had to rush the first one too much. Little sidelight: Originally decided to call him Mr. Strange, but thought the “Mr.” bit too similar to Mr. Fantastic- now, however, I remember we had a villain called Dr. Strange just recently in one of our mags, hope it won’t be too confusing!”( 2019, Doctor Strange, Wikipedia)

Dr. Strange’s visual inspiration: Vincent Price

The look of Dr. Strange is based on horror film legend Vincent Price, who would play lots of magicians, mad scientists and vampires in movies like House of Wax, The Mad Magician and The Fly.  Price also provided the sinister voice and cackling laughter for the ‘rap’ portion of Michael Jackson’s Thriller( ‘ Darkness falls across the land. The midnight hour is close at hand. Creatures crawl in search of blood, To terrorize y’all’s neighborhood….’)

Vincent and Scooby-Doo

Price would even assume a Dr. Strange-like role as Vincent Van Ghoul in the 1985 animated series The 13 Ghosts Of Scooby-Doo.

Dr. Strange’s realm of mysticism allowed both Lee and Ditko to indulge themselves in different ways:

  • Lee was able to create mystical-sounding verbage like the “Eye of Agamotto” or the”Hoary Hosts of Hoggoth!”. Lee said he never had any idea what any of the incantations meant. He just liked them because they sounded mysterious.

 

  • An example of Steve Ditko’s art work

    Ditko’s artwork became a tapestry of imaginative landscapes and increasingly vivid visuals that made Dr. Strange a favorite of college students (and potheads).

While Doctor Strange was an important central character in many Marvel stories, the character was never able to sustain a substantial run of his own solo comic. His book was constantly cancelled from low sales and restarting from scratch.

In 1978, both The Incredible Hulk and The Amazing Spider-Man have both become series and getting great ratings. Dr. Strange is tapped to be the next CBS/Marvel collaboration and easily the most ambitious of the bunch. Writer, director and producer Philip DeGuere was given an ample budget for Dr. Strange, due to the special effects needed to make the idea come across.  DeGuere told Starlog Magazine in 1978 about the difficulties of the project:

“It has to do with dealing with an area which is completely foreign to TV. Unless people are familiar with myth, folklore, and fairtyales on the one hand or fantasy literature on the other, it’s difficult to understand a story like this. The picture went five days over schedule and probably $50,000-100,000 over budget”( Cecchini, 2016, Doctor Strange: The Wonderful Weirdness of the 1978 TV Movie, Den of Geek).

As with all the other Marvel shows, DeGuere made a number of changes to the TV film that differed from the comics:

  • Stephen’s job changes from a surgeon to a psychiatric resident
  • Stephen’s attitude is changed from initially arrogant and egotistical to a genuinely caring person.
  • The mysticism aspect is taken more from the legends of King Arthur than Eastern myth. The villainess Morgan Le Fay is a direct character from Arthurian legend while the mentor Lindmer is meant to be Merlin the Magician (the name Lindmer is an anagram of Merlin).
  • In the comics, a car accident that damages Strange’s hands leads him on the journey to becoming the Sorcerer Supreme. In the film, a car accident kills Strange’s parents, not him.

NOTE: A common misconception that the character of Lindmer is The Ancient One. The Ancient One is presented in this film as a disembodied being of light towards the end of the movie.

Concept Art for Dr. Strange( 1978)

Towards the end of the movie, Doctor Strange wears a costume that looks the one he wears in the comics . It was based on concept art by  Frank Brunner, an actual Doctor Strange comic artist. DeGuere explained to Starlog, “I tried to keep as much to the comic costume as possible, but those tend to look silly on real people…Actually, we ended up working with a model of a gentleman going to the opera. It’s the only instance in modern dress where a guy would wear a cape.” ( Ryan, 2014, The Bizarre Case of the 1978 ‘Doctor Strange’ Movie, Screen Crush).

NOTE: The ‘star’ chest symbol on the movie costume was borrowed from another Marvel superhero: Mar-Vell, the original Captain Marvel.

Composer Paul Chihara, a friend of the director, provided the film’s distinctive synthesizer heavy score. Chihara comments “{Deguere} encouraged me to do an electronic score, which in 1978 was quite forward”( Couch, 2014,  ‘Dr. Strange’: The Untold Story of the 1978 TV Movie Everyone “Had Great Hopes For”, The Hollywood Reporter).

The score embraced that 70’s style and sounded like a something from a horror movie soundtrack at times.  Over time, the score has gotten a number of high profile fans, including Michael Giacchino (who composed the 2016 Dr. Strange movie). Chihara comments: “When he was in London recording it, he was telling me that they already knew the score that I did for Dr. Strange and Michael was kind enough to say he appreciated my score“( Couch, 2014,  ‘Dr. Strange’: The Untold Story of the 1978 TV Movie Everyone “Had Great Hopes For”, The Hollywood Reporter).

Stan Lee had a largely positive experience working on Dr. Strange, compared to most of the other CBS/ Marvel projects:

“I probably had the most input into that one. I’ve become good friends with the writer/producer Phil DeGuere. I was pleased with Dr. Strange and The [Incredible] Hulk.  I think that Dr. Strange would have done much better than it did in the ratings except that it aired opposite Roots. Those are the only experiences I’ve had with live action television. Dr. Strange and The Hulk were fine. Captain America was a bit [of a] disappointment and Spider-Man was a total nightmare.” (2019, Dr. Strange(1978 film), Wikipedia).

Casting Dr. Strange:

Peter Hooten in all his splendor

In the role of the Sorcerer Supreme, the director cast Peter Hooten as Stephen Strange. Hooten was a largely unknown journeyman actor who did guest spots on shows like The WaltonsMod Squad and Mannix. His most famous film role was in the JAWS rip-off Orca: The Killer Whale. Hooten has become notoriously private since taking the role but gave an interview around the time of the 2016 Dr. Strange film release. He stated he took the role because he could relate to Stephen Strange’s medical background and the mystical themes of the film:  

“If I hadn’t been an actor I might have done pre-med. Also, I’ve always been interested in mystical things. I always liked reading about theosophy [a religious philosophy rooted in mysticism], which was a 19th century rage. When I lived in Los Angeles, I used to go The Bodhi Tree, a metaphysical bookstore. I took right to the character of Doctor Strange” ( 2016, AICN COMICS Q&@ with Peter Hooten the Original Doctor Strange!, Ain’t It Cool News).

Origin:

Stephen Strange, M.D. was born in 1945.  In 1963, the Stranges were killed in a car crash when Stephen was 18.  As an inheritance, Stephen received a golden ring branded with the mystical symbol of light from his father’s estate. Prior to this,  Strange’s father was a colleague of a man named Thomas Lindmer. Lindmer, unknown to the public, is the Sorcerer Supreme, Earth’s main mystical protector.  Lindmer and Strange’s father saw that Stephen was an extraordinary young man with a talent for mysticism. Stephen Strange eventually became a resident psychiatrist for the East Side Hospital in New York. While a good natured person, his behavior can rub people the wrong way: A nurse reprimands him for being a womanizer and the Chief of Psychiatry Dr. Taylor chided Strange for being late to meetings and completely disregarding his opinion. Meanwhile, The exiled witch Morgan Le Fay has been tasked to go back Earth for three days to defeat Lindmer and to corrupt his chosen successor, Stephen Strange. Lindmer  learns of this plot and has his old friend and pupil Wong locate Strange and quickly found the hospital where Strange works. Morgan possesses the body of a girl named Clea Lake to attack Lindmer, pushing him off a bridge (Strange had a psychic vision of the act, thinking it’s a dream). This event has a traumatic effect for Lake and she ends in the care of Stephen Strange. Strange quickly recognized her from his vision and Lake then explains the exact accident where an old man was pushed off a bridge which unsettles Strange. Lake also talked about being stalked by an evil woman and refuses to sleep.  Lindmer decides to go to the hospital to talk with Strange. Strange agrees to meet with Lindmer at his office because he recognized Lindmer from his dream. Lindmer explains that Strange and Lake now have a psychic connection but Strange is sceptical. Lindmer says that Strange can help Lake but not by traditional means and that Strange should visit Lindmer at his mansion. Soon after this meeting, Strange discovered that Dr. Taylor had given a tranquilizer to Lake ( against Strange’s wishes), making her sleep. As a result, Lake falls into a coma. After this act, Strange took Lindmer’s card and noticed something unusual:  it had the same symbol as Strange’s ring. Strange meets with Lindmer at his mansion and asks him about the ring’s symbol. Lindmer reveals that Strange’s father worked with him and this eventual encounter was destined to happen. Strange agrees to try Lindmer’s method and lends him the ring. Lindmer used his magic to empower the ring and returns it to Stephen. He then explains to Strange his method to save Clea: Lake’s trapped spirit is in the astral plane and Strange is to be sent to rescue her. The ring would stop most of the demonic inhabitants from attacking Strange or Lake. Following Lindmer’s words, Strange is immediately sent on an extradimensional journey and finds Lake in the astral plane. Both escape and Lake finally wakes up in the hospital. After this, Strange visits Lindmer again and tells him that he declines being a sorcerer. Soon, Morgan bypasses the mansion’s mystical barrier (with Strange’s unknowing help), defeats Wong and kidnaps Lindmer. Morgan then causes Lake to have another psychiatric break. Le Fay appeared in front of Strange and offered to leave Lake alone if he accompanies Le Fay to her dimension. In her lair, Le Fay offered to teach Strange to use his powers and gave him riches . She expresses that she has romantic feelings for Stephen and kisses him. However, Strange found her lips to be cold. Le Fay then asks Strange to take out his enchanted ring, but Strange was unable to do so. Le Fay mocks Lindmer’s power and shows that Lindmer was now her tortured prisoner there. This sight disgusts Strange, and he rejects Le Fay. The offended witch tries to destroy Strange, but he stops the attack with the ring and defeats her for the moment. Strange finally embraces his destiny and recognizes Lindmer as his master. With that proclamation, both of them were transported back to the mansion. Strange and Lindmer were soon joined by Wong in the studio. After a brief ceremony, Strange accepts his role and becomes the new Sorcerer Supreme of Earth.

The Ceremony:

Lindmer:  You’ve been brought to this moment by forces beyond your control. You were chosen but the final choice must always be yours.

Strange: What choice is it that’s mine?

Lindmer:  To serve yourself or all of mankind.

Strange: Is that a choice? What will I be called upon to do?

Lindmer:  Become more than a man. And renounce such earthly pleasures that are given to men that are only mortal. The pleasure of ignorance, or offspring or an easy death.

Strange: Will be asked to give up even love?

Lindmer:  The Universe is love. That you shall have.

Strange: I don’t understand but I’ve made my choice. Let it begin.

 

After a big rescue, Lindmer stages a quick ceremony so that Strange could officially admit his destiny and became the new guardian for humanity (with Wong as a witness).

  • By accepting those powers, Strange had to renounce three things: ignorance to the ways of the universe, the desire to have children and an easy, non-painful death.
  • Strange accepts and a bright light enters the window of the studio. They all hear the diembodied voice of The Ancient One. The Ancient One asks Strange whether he accepted to custody the light.

“Let the transmutation begin” – The Ancient One

  • A glowing rectangular platform rises from the ground to Stephen’s waist level. As it rises, Strange hovers his hands over it and his clothes changed into his new uniform as a Guardian of The Light : a purple tunic with a white eight-sided star on the chest , gold bracelets, blue slacks, a golden belt and a yellow cloak.
  • A glow envelops both Strange and Lindmer as Lindmer’s power is transferred to Strange. The action overwhelms both men. Strange recovers quickly while weakening Lindmer into unconsciousness. Wong explains that Strange now has the power, but not the skill or wisdom to use it yet:

Wong: It is done.

Strange: I felt tremendous pain.

Wong: Energies beyond your comprehension were circuited into your body. The circuit held.

Strange: Have I taken his place? Have I become the sorcerer?

Wong: You will be when The Ancient One has taught you to use your powers. You’re like a child with a loaded gun. Unless you are not careful, you can harm yourself or others. You have the powers but not the knowledge or wisdom to accompany them. Yet.

Strange: What have I become?

Wong: More than a man.

 

Powers/Abilities:  

Medical Training: Strange is a qualified M.D, specializing in psychiatry. He is able to treat several patients both from a psychological point of view (such as reassuring Clea Lake) and through proper medication (when stabilizing Lake’s critical state).

Magic:  Strange has the ability of harness and manipulate the energy of the universe. It allows the practitioner many different activities, including astral projection, divination, spell casting and teleportation. A person’s magical power in this film manifests itself as an all-enveloping glow that wraps around the person’s body.

  • Good practitioners of magic like Lindmer, Wong and Stephen glow a bright golden color.
  • Evil practitioners like Morgan glow a ruby red.

NOTE: As Stephen only displayed a scant amount of powers throughout the movie, most of this dialogue will be based on Lindmer and Morgan and the powers they displayed throughout the movie.

  • Extended Lifespan/ Healing: Magic practitioners are granted the ability to live much longer than the average human. Though they can still be killed and even physically wounded, they cannot succumb to any medical diseases, nor will they age normally. However, they still require food, water, oxygen, and sleep, same as a normal human. Both Lindmer and Morgan were said to be over 500 years old. Lindmer also displayed an ability to heal himself after a fall from a bridge to a highway that should have killed him.
  • Astral Projection: Magic practitioners have the ability of astral projection. This is achieved by separating the spirit form from the body, gaining access to different dimensions. Lindmer applies this ability to Stephen which allows him to rescue Clea from the dream dimension.
  • Energy Bolts/Force Field: Magic practitioners have the ability to fire bolts of magical energy that resemble lightning. The glow also protects the user from the destructive energy as a force field. However, sustained use of this power can be harmful to whatever practitioner it is used against.
  • Protection Spells: Lindmer can also cast spells that would bar an evil person from entering his home. A loophole of this rule is if a person that is allowed to come into the home carries something with him, it can pass through even if it is evil (which allows Morgan to enter Lindmer’s home).
  • Transmutation: Morgan also displayed the ability of transmutation changing herself into the form of a black cat at one point. Strange also shows this ability at the end of the film by turning flowers into a dove during an amateur magic show.
  • Telepathy: Morgan and Lindmer displayed the ability to speak telepathically to each other. Morgan could possess the minds of others to commit acts on her behalf ( pushing a man of a bridge) or influence their movements(  almost causing a child to get hit by a bus). Lindmer used a form of hypnosis to gain access to a restricted area of Stephen’s hospital.

TV Movies:

Dr. Strange:

Debut: September 6, 1978 on CBS

 

Somewhere, an evil entity tells Morgan le Fay that she has been prevented from breaking through to the earthly realm by a great wizard, and that she has three days either to defeat or kill the wizard and win over his successor to her master’s side. Le Fay uses Clea Lake as a weapon against Thomas Lindmer, the “Sorcerer Supreme”. Suffering from psychic aftereffects of the possession and haunting dreams of le Fay, Lake is under the care of Dr. Stephen Strange at a psychiatric hospital. Strange has the potential to become Lindmer’s successor by virtue of abilities and items inherited by from his father, including a special ring. Lindmer contacts Strange at the hospital and tells him that Lake needs more help than what can be offered by medical science. Strange takes Lindmer’s card and is intrigued by the fact that Lindmer’s card bears the same symbol as his ring. Strange demands to know the truth, and Lindmer says that he knows about how Strange’s parents died when he was eighteen. He says Strange is special, and that his parents died protecting him. He says there are different realms, and that Lake is trapped in them and only Strange can save her. LeFay craves Stephen, promising him that she will not harm Lake so long as he comes with her to the demon realm. She offers him love, wealth, power, and knowledge. He refuses, defying her. She attacks him, but he defeats her, rescues Lindmer, and returns them both to the earthly realm.  Lindmer explains that Strange must choose whether to remain mortal, or to become the Sorcerer Supreme.

Film Notes:

John Mills as Lindmer
  • Lindmer was played by veteran actor John Mills. Mills won an Academy Award for Best Supporting Actor for his performance in Ryan’s Daughter (1970).

 

  • Jessica Walter as Morgan

    Morgan was played by actress Jessica Walter. Walter’s best-known film role was an iconic turn as the jilted love/stalker in Clint Eastwood’s Play Misty For Me. In recent years, Walter has gained acclaim for her roles as two off-kilter mothers:  Lucille Bluth on Arrested Development and the voice of Mallory Archer on the animated series Archer.

Eddie Benton as Clea Lake
  • Eddie Benton( now known as Anne-Marie Martin) would go on to marry Michael Crichton, the best-selling author of books like Congo, Sphere and Jurassic Park (All three would be adapted into massive box-office hit films in the 90s). Benton would go on to co-write a box office hit in her own right( 1996’s tornado hit Twister).

NEXT TIME: CAPTAIN AMERICA!

THE MARVEL TELEVISION UNIVERSE [BelserVerse]: The Story of Spider-Man and The Halted Torch.

JaDarrell “The Belser”
@TheBelser

What’s happening people? it’s your boy The Belser back to drone on and on about the weirdo stuff that he loves. But you know what? I don’t care! I live doing these articles and I really love the response I’m getting. What can I say? I like to do the research and I love detail-oriented writing. I’m sure these tomes of mine will be a vital reference to young geeks out there who always wondered about this stuff.

Case in point, my article today speaks on a Marvel world that existed before the beloved MCU. Hell, this is a world even before CGI was a thing in movies. This goes back to the caveman days of network television. Do you kids know there was only 3 major networks on TV before cable? That’s right: ABC, NBC and CBS. The last one took a huge step in TV fandom by introducing a group of live action superhero shows based on the characters of Marvel Comics. This is the tale of how they came to be. As always, I hope you enjoy this as much as I enjoyed writing it. So, let’s get started, shall we?


How I Found the Characters:

My first recollection of these characters first came in the form of some TV promos for the TV movie The Death of The Incredible Hulk. I don’t recall actually watching the movie itself but I do recall the image of the Incredible Hulk leaping spread eagle from exploding plane. After a few years, my uncle Charles was watching the Sci-Fi Channel at our old apartment and he was watching an old episode of The Incredible Hulk. The scene had The Hulk breaking down doors, tossing guys around and then leaping out of a window into the night. After that, I became 100% hooked on the character as I was just at the infancy of my superhero geekdom. The series ran quite regularly on Sci-Fi along with another one I discovered: The Amazing Spider-Man.

During the holidays, both the USA Network and the Sci-Fi Channel would run very similar marathons of these shows usually entitled The Mighty Marvel Marathon. A few years into it, they began to introduce the other characters like Captain America and Doctor Strange. The Incredible Hulk has gone on to become my favorite television show. As I got older and would start going to Comic Cons, I would see these TV movies on bootleg VHS or DVD. I try to watch them every year just for sheer nostalgia.

CBS and Marvel:

In 1977, Marvel publisher Stan Lee worked out a deal with Frank Price, the then-head of Universal Television. The deal: for CBS to develop live action TV programming based on any of several characters they had licensed from the Marvel Comics library. Of the many heroes in the Marvel Universe, only five were ultimately selected: The Amazing Spider-Man, The Incredible Hulk, Captain America, Doctor Strange, and The Human Torch.

• Of those five, four were made into TV movies.
• Of those four, only three had more than one TV movie.
• Of those three, only two made it to an actual series.
• Of those two, only one survived and lasted multiple years (The Incredible Hulk)

After the deal is struck, Price and the CBS staff went about offering these properties to the many producers they had at their disposal. However, times were different and comic book properties was not attractive to film makers who considered themselves to be ‘serious artists’.

The One That Never Made it:

Sorry, Johnny….

Of these five Marvel heroes, only one that never made it past the drawing board: The Human Torch. The youngest member of the Fantastic Four had already received his own solo adventures in Strange Tales for Marvel Comics in the 60’s and was one of the more popular characters. Unfortunately, special effects technology on television at the time was not able to bring a character like this to fruition. TV back then barely had the technology to make a person fly onscreen, much less make a person fly while on fire. Also, I’m seeing several articles that parent groups and executives at CBS were concerned that children would try to imitate the abilities of the Human Torch. The most notable example of this would be children either lighting objects or themselves on fire.
NOTE: This deal prevented the use of the Torch in any other series at the time. However, two animated series were in development at the time with the Torch as a main character.

This deal led to the creation of two substitute characters that would make their way to the comics: HERBIE the Robot on The New Fantastic Four and Firestar on Spider-Man and His Amazing Friends.

The CBS deal is indirectly responsible for these two….

The Amazing Spider-Man:

The first of this new crop of characters that CBS would adapt to TV was Marvel’s flagship hero and official company mascot, Spider-Man. Spider-Man debuted in Amazing Fantasy #15 (August 1962) and was created by writer Stan Lee and artist Steve Ditko. The idea of Spider-Man came from a surge in teenage demand in comics. So,  Stan wanted to create a character that teens could relate to. The problem was that most of the teens in comics were sidekicks and Stan hated sidekicks:

“I hated teenagers in comics because they were always sidekicks. And I always felt if I were a superhero, there’s no way I’d pal around with some teenager, you know. At the very least people would talk. But I thought it might be interesting to make the teenager the actual hero. What would happen if a teenage kid got a power? And then I thought it’d be even more interesting to make him a kid with the normal problems that so many teenagers have” (Stan Lee, 2006, “Stan Lee on Realism in the World of Comic Heroes” NPR.com).

Along Came Spidey…

Further inspiration came to Stan while watching a spider climb up a wall. He thought the ability to stick to walls would be an interesting power. He chose the name “Spider-Man” because it sounded mysterious and it would age with the character unlike “Spider-Boy” would. Coupled with Steve Ditko’s art style, Lee gave Spider-Man many of the same problems facing most of young readers.

“He’s not the most popular guy in school. He was busy looking after his aunt who was old, like 150 years old. He was always having to get medicine for her and worry about her. She didn’t have enough money for the rent. And I wanted him to be the kind of guy who’d have allergy attacks, and ingrown toe nails, and occasionally when he’d have a fight with a villain his costume would get torn and he did know how to sew. You couldn’t go to a tailor and say would you fix my Spiderman costume. So I wanted all those little things to happen” (Stan Lee, 2006, “Stan Lee on Realism in the World of Comic Heroes” NPR.com).

These personal issues, his sense of humor and his adventures made Spider-Man into one of the most successful and popular superheroes of all time.

Spidey on ” The Electric Company”

Prior to the show, Spider-Man’s only live action portrayal was in a recurring skit called ‘Spidey Super Stories’ on the 70’s children’s program The Electric Company. In the skits, Spidey did not talk. He only communicated with word balloons to help young kids to practice reading.

NOTE: The Amazing Spider-Man was the first-ever live action TV program based on a Marvel Comics character.

The CBS show was produced by Charles Fries and Daniel Goodman. The producers, however, were not fans of Spidey or comics in general. This is clear by the fact that they made a lot of changes to make it more palpable to the mainstream audience that were not familiar with the web-slinger. The changes were as follows:

• No super villains: Spider-Man is known for his amazing rogues’ gallery of super-villains. Great villains like the Green Goblin, Doctor Octopus, and The Scorpion would not make the jump to TV purely because of budget reasons. In their places would be run-of-the-mill gangsters, terrorists,  and crooks.

No supporting cast: Peter would have love interests throughout the show but there was no Mary Jane Watson or Gwen Stacy. Also, Peter had no recurring friends on the show and that means no Flash Thompson or Harry Osborn. The most important omission is Uncle Ben, seeing as his death is the primary motivation for Peter’s decision to become Spider-Man. Aunt May did appear on the show twice (in the pilot movie and in one episode of the series) and was played by a different actress each time. Robbie Robertson also makes a brief appearance in the pilot movie. The only supporting character from the comics that was a regular character on the show was J. Jonah Jameson.

No other heroes: Marvel Comics is known for crossovers with the other heroes for team-ups and/or confrontations. Spider-Man is the only superhero in the reality of the show.

No ‘quips’: One of Spidey’s trademarks is his sense of humor. Spider-Man is known for making witty remarks during battles to rattle his opponents. This version of Peter Parker came across as too straight-laced. He was a goody two-shoes who could be quite judgmental of others. You can see throughout the show that he rubs a lot of people the wrong way unlike the charming, jovial Spidey from the comics.

Spider-Man and Stan

These significant changes made The Amazing Spider-Man one of the few Marvel projects that co-creator Stan Lee did not like. Though Stan is listed as a script consultant in the show’s credits, the producers still did things their way and it just did not work. Stan explained his feelings in an interview with The Hollywood Reporter:

The Spider-Man TV series I was very unhappy with because very often, people will take a novel, let’s say, and bring it to the screen … and they will leave out the one element, the one quality that made the novel a best-seller. With Spider-Man, I felt the people who did the live-action series left out the very elements that made the comic book popular. They left out the humor. They left out the human interest and personality and playing up characterizations and personal problems.”( Parker, 2017, ‘Stan Lee Hated 1970s ‘Amazing Spider-Man’ TV Series’, The Hollywood Reporter).

Casting ‘Spider-Man’:

The first ‘official’ Spider-Man

For the CBS show, the producers cast 27-year old actor Nicholas Hammond (which makes him the oldest of the Spider-Man actors). NOTE: Hammond’s most famous role prior to the series was as one of the Von Trapp children in the classic musical The Sound of Music. Hammond spoke on the casting experience in an interview for The Oakland Press:

“They weren’t interested in doing a campy version. They (wanted) a version where you believed Peter was a completely real person. He just happened to have this gift — or this curse — thrust upon him. How would a person react if that happened to them? That really intrigued me … I thought, ‘That’s a unique challenge as an actor I’ll probably never get another chance to do.’”( Krug, 2017, ‘Nicholas Hammond to make his debut at Great Lakes Comic-Con Feb. 24-25’, The Oakland Press.).

The show was mostly shot in Los Angeles (with a few exteriors in New York). Hammond did wear the costume for close-ups but all the stunt work was performed by stuntman Fred Waugh. The effects of wall-crawling and web slinging were sparsely featured because they were so expensive. Wall crawling was achieved by a stunt man either being dragged up a building by a (sometimes visible) wire or bear crawling on a piece of set laid on the ground. The best shot of the entire series is in the opening credits: the sight of Spider-Man climbing up the Empire State Building.

Origin:
Peter Parker is a graduate student working on his Ph.D in physics at New York State University. He also struggles to make ends as a freelance photographer for The Daily Bugle newspaper and their hostile boss J. Jonah Jameson. Jameson thinks Parker’s photographs are ‘too pretty’ and ‘artsy’ for a major newspaper. Soon after, Peter is conducting a lab session with a fellow student at college which included the containment of radioactive material. During the session, Peter notices something flashing as they finished. The ‘flashing’ object was a spider that was exposed to said radioactive material. Peter is then bitten by the radioactive spider. As he leaves, Peter manages to evade a speeding car by climbing up a wall and on to a balcony. Peter discovers he has gained superhuman powers, such as super-strength, agility and the ability to climb sheer walls and ceilings. Peter went home to his Aunt May’s house and has strange dreams about spiders as his DNA further changes. He wakes and tests his powers by climbing the outside of Aunt May’s house (in a very bad blue screen scene). Spider-Man first reveals his presence by halting a thief who stole a woman’s purse. The thief was so amazed by the sight of a man climbing the side of a building that he froze, allowing the police to arrest him. Both the thief and a crowd of people try to explain the sight of this wall crawling hero to a policeman who is in disbelief. Back at the Daily Bugle, Jameson hears reports of this new “hero”, who has been dubbed ‘Spider-Man’ by the public. Assistant editor Robbie Robertson tells Jameson of the public demand for information about Spider-Man. Peter takes the opportunity to say that not only has he seen the new hero but he has a photo of him. Peter Parker then makes a skin tight red and blue suit with a mask and a spider symbol on the chest. After thwarting an extortionist’s scheme, Peter begins fighting crime in New York as the superhero Spider-Man.

Powers:

Superhuman Strength: Spider-Man has incredible superhuman strength. Peter explains his strength as being proportional to the natural strength of a spider (“It’s all in proportion to his size. He’s thousands of times stronger than you”). Many episodes show Peter breaking door knobs, forcing open safe doors, bending steel bars and breaking a steering wheel column. This strength also extends to his legs, allowing for super leaps. A professor in the second TV movie states that Spider-Man would be able to jump 20 to 30 feet in the air. The same movie shows Spider-Man leaping from a driveway to the top of a multi-story mansion in a single bound.

Superhuman Agility/Martial Arts: Spider-Man has great dexterity and balance. One episode shows Spider-Man being able to walk a tight rope. Spider-Man is adept at dodging striking attacks quickly. Apparently, the spider bite also infused Spider-Man with innate martial arts skills. Many episodes have Spidey fighting and holding his own against ninjas and Chinese martial artists.
NOTE: Many of the fights on this show uses the same sound effects as many of the Bruce Lee Kung-Fu movies at the time like Enter The Dragon.

Superhuman Durability/Healing Factor: Spider-Man’s body is highly resistant towards impact force. Spider-man is seen taking many punches and kicks from criminals without any serious injuries. However, he is not invincible. Early episodes have Spider-Man dislocate his shoulder after a high fall and being susceptible to allergies. However, Spider-Man’s metabolism allows him to heal faster than normal humans can.

Either he’s turning into Teen Wolf or his spider-sense is tingling.

Spider-Sense: After the bite, Spider-Man immediately develops a sixth sense that heightens his natural senses to allow him to evade danger. The spider-sense is represented by a simple sound effect in the pilot. In the series, the camera would freeze-frame on Peter’s face, then his eyes would glow in a pulsating, strobe light effect. During this, Peter (and the viewer) would see a muted vision of the incident that causes the danger.

Wall-Crawling: Spider-Man naturally produces an adhesive that allows him to adhere to walls, ceilings, and other surfaces in order to crawl all over them. Spider-Man is very often seen climbing large buildings and clinging to ceilings.

Gifted Intelligence: Peter Parker is a highly intelligent student with a high aptitude in various sciences. Peter uses his many connections in college and different organizations to help his cases. He even has access to information from NASA.

  • Fringe Science: Peter is highly knowledgeable of hypothetical sciences like hypnosis, psychic phenomena, paranormal photography, telekinesis and cloning. In the second TV movie, a physics professor tells the police that Peter is brilliant enough to be able to create a nuclear device.
  • Chemistry/Engineering: Peter was able to make a chemical compound that is similar to the webs of a spider. The compound is strong to support the weight of several full-grown men. To use the compound, Peter Parker creates a pair of wrist mounted web-shooters in a laboratory. Spider-Man uses his web-shooters for various purposes like immobilizing enemies in web nets and swinging on a web line. Peter also creates a Spider-tracer device by planting a plastic spider on an object (usually a vehicle) and can track it across a major city.

Skilled Photographer: Peter Parker is a very skilled photographer, taking pictures for the tabloid newspaper company, The Daily Bugle. Peter’s big break is due to the fact that he is the only photographer in New York that could get a picture of Spider-Man. He soon goes from a freelance photographer to a salaried photojournalist due to the many cases he breaks as Spider-Man.

TV Movies:

The Amazing Spider-Man

Debut: September 14, 1977 on CBS:

A mysterious extortionist surfaces in New York City and places prominent people under mind-control to rob banks and commit other crimes. He then threatens to have 10 New Yorkers under his command commit suicide unless the city pays him a $50 million ransom. Meanwhile, College student Peter Parker, a freelance photographer for The Daily Bugle struggles to make ends meet under his sometimes hostile boss J. Jonah Jameson. Peter is bitten by a radioactive spider after a lab session at college and discovers he has gained superhuman powers. After a near death incident, Peter invents a super-sticky web serum, dons a masked costume, and sets out to stop this plot as Spider-Man.

Film Notes:
• J. Jonan Jameson was played by actor David White. White is most famous as boss Larry Tate on the classic ABC sitcom BEWITCHED.
• Actor Michael Pataki plays police Captain Barbera (an original character that carried over to the series). Pataki is best known as the Klingon villain from the episode ‘The Trouble with Tribbles’ of the original STAR TREK series and as Ivan Drago’s Russian representative in ROCKY 4 (“Whatever Drago hits, he destroys.’)
• The movie’s villain is another ROCKY veteran. Actor Thayer David appeared in the first ROCKY movie as Miles Jergens, the man who offers Rocky Balboa his first title shot and promotes the first fight between Rocky and Apollo Creed.
• The love interest, Judy, is played by actress Lisa Eilbacher. Lisa would later appear in 80’s hits like AN OFFICER AND A GENTLEMAN (with Richard Gere and Louis Gossett Jr.) and 1984’s highest grossing film, BEVERLY HILLS COP (with Eddie Murphy).

Spider-Man Strikes Back: ( AKA The Deadly Dust)

Debut: May 8, 1978 on CBS:

After months of heroics, Spider-Man makes national news after a well-publicized rescue of a suicide jumper. This gets the attention of an attractive journalist named Gale Hoffman, who works for a Miami based tabloid called The Weekly Examiner. Her goal: To get the first-ever one-on-one interview with Spider-Man. J. Jonah Jameson and Gale agree to run the interview simultaneously. All they need is the cooperation of one person: Peter Parker. Peter is the only person that can get pictures of Spider-Man and Gale is assigned to tag along until Peter meets him again. Meanwhile, Peter and a trio of Peter’s fellow students make a protest to their professor for agreeing to handle a container of radioactive plutonium oxide (also nicknamed ‘The Deadly Dust’) on campus. While Peter backs off, the remaining trio later steal the plutonium oxide to try to build a bomb in order to illustrate the dangers of nuclear power. Because of Peter’s intelligence, the police suspect him of the crime as does international villain Mr. White. White and his henchmen steal the plutonium so that he can obtain his own version of the weapon. White flees to Los Angeles and demands $1 billion dollars in return for not setting off the plutonium bomb in a heavily populated area. Peter Parker and Gale Hoffman arrange to travel to the West Coast in search of White. It leads to a big adventure in which Spider-Man saves Los Angeles (and the visiting President) from a nuclear explosion.

Film Notes:

Nice…

• Gale Hoffman was played by actress JoAnna Cameron. Cameron was the best love interest in this entire series (even though she is way out of Peter’s league) and gave a great Lois Lane vibe. The movie also allowed Cameron to display her fantastic, athletically toned bikini body (a rarity in the 70’s). Cameron herself was already a CBS superhero in her own right: she played Isis in the Saturday morning show The Secrets of Isis.
• The movie introduces Jameson’s new secretary Rita Conway (played by actress Chip Fields). Conway’s appearance and personality is based on Jameson’s secretary in the comics at the time, Glory Grant.
• The movie’s villain, Mr. White, is played by veteran actor Robert Alda. Alda also played a villain on two episodes of The Incredible Hulk (“Terror In Times Square” and “ My Favorite Magician”)

One of the high points of the movie is a conversation between Peter and Gale about Spider-Man that is the most like the comics than anything the series ever produced:
Peter: I think Spider-Man does a lot of good but if people knew who he was, well…It just wouldn’t be the same.
Gale: No one asked him to save the world.
Peter: I don’t think he wanted any part of being a superhero.
Gale: Then all he has to do is turn in his little blue tights.
Peter: And what about his conscience? What is the point of having some kind of a special power if you don’t use it to help people?
Gale: Ok. It could be a tough life.
Peter: And lonely. How can he ever talk to people? Like we are now? I mean what kind of life can he really have? I mean think about it. He has to lie. To everyone. At work. His friends. What about girlfriends? How can he ever hope to get married? Just have a normal life. People think it would be really wonderful to have Spider-Man’s powers. Let me tell you I’m not sure if it’s a blessing or a curse.

The show debuted to great ratings but not good enough to justify its expensive budget. The show only lasted 13 episodes spread over 2 short seasons from 1977 to 1978.

NEXT TIME: THE INCREDIBLE HULK!!!!!

GREEN LANTERN vs. NOVA [Special Report, Part One]: Battle of the Space Cops.

JaDarrell “The Belser”
@TheBelser

What’s happening, my people. “The Belser” is here with another special article here on GodHatesGeeks. Why do I keep doing these lengthy articles, you wonder? Very positive feedback from my previous entries, of course! Also, it doesn’t hurt that I’ve had a lot of time on my hands. Either way, I like talking about the subject matter and it’s cool to discover new things in the research. I love the sub-genre of space comics. Intergalactic incursions. Power-mad despots. Cool space battles of good vs evil. I especially love the stories that deal with peacekeeping heroes that are charged with defending the galaxy.

The article is about such two characters: Nova, The Human Rocket for Marvel Comics; and Green Lantern, The Emerald Knight for DC comics. These two characters have been compared throughout the years due to their striking similarities and chosen area of combat. As always, these articles are meant as a guide to these spacefaring heroes to give you a better understanding of what makes them so awesome. In this first article, we are going to touch on their origins, their similarities/differences and the powers bestowed upon them. So, let’s get to it!!


How I Found the Characters

GREEN LANTERN 

My first recollection of Green Lantern was on the Challenge of The Super Friends reruns on Cartoon Network. Here, he and the rest of The Super Friends went up against The Legion of Doom and their many schemes of world domination. His opponent on the show was his arch enemy Sinestro and many episodes would have them pitted against each other. In fact: an episode entitled ‘Secret Origins of the Super Friends’ featured a detailed retelling of Green Lantern’s origin (along with Superman and Wonder Woman). My interest was really piqued by the acclaimed series Justice League in 2001. Here, they had a Green Lantern for the team: an African American military veteran named John Stewart. I loved the character and wanted to know more about him and the Green Lantern Corps.

NOVA

My first glimpse of Nova The Human Rocket was on a short-lived show called My Secret Identity. It was a live-action superhero show aimed at kids starring a very young Jerry O’Connell (Stand By Me, Sliders,) and its reruns would air on The Sci-Fi Channel. The show was about a kid named Andrew Clements, who was a huge comic nerd. One day, he gets hit with an experimental photon beam in the basement of Dr. Jeffcoate, a scientist and his next-door neighbor. Very soon, he develops a standard set of superpowers that included super strength, super speed, and invulnerability. He also had the power of levitation, but he couldn’t propel himself.  So, he would carry around a pair of aerosol spray cans and use them to fly through the air. He uses these abilities to fight crime (in secret, of course), solve his own personal problems, and help his friends.

During the pilot, when he first discovers his powers, he reads an old issue of a What If? comic featuring Nova, and notes how similar their origins are: a normal kid being zapped with an energy ray and getting superpowers. Ironically enough, in the very same scene, he recites an oath in his bedroom that starts off like the Green Lantern oath (“In brightest day, in blackest night…”). I liked the look of Nova and sought the character out. In the 90’s, I would see him mostly on Marvel trading cards, or The New Warriors comics. In high school, I discovered a fan site online called The Nova Prime Page that told me so much about him and his history. The character mostly disappeared after that until the epic “Annihilation” crossover hit the stands in 2006. Nova was put front and center in this story line, and I have been a huge fan ever since.


Inspirations and Creation

GREEN LANTERN

The comic industry was galvanized (and, essentially, founded) with the creation of Superman in 1938, and Batman in 1939. Sales were through the roof, and there was high demand to add more additions to this growing roster of heroes. Green Lantern was one of many characters created in the wake of this first superhero boom, often called the Golden Age of Comics. The original Green Lantern was created by the late artist Martin Nodell (who also helped to design the iconic Pillsbury Doughboy, if you’d believe it!). Green Lantern was created on a subway ride to Brooklyn.

According to Nodell’s obituary in The Los Angeles Times, Nodell noticed a trainman waving a green train lantern along the darkened tracks (2006,” M. Nodell, 91; illustrator who drew superhero Green Lantern”, The Los Angeles Times). That image stuck with him and he combined it with composer Richard Wagner’s epic opera, The Ring of the Nibelung. The opera is in four parts and it is centered around a magic ring that grants the power to rule the world (not content with just inspiring a classic character, this opera also inspired J.R.R Tolkien‘s Lord of The Rings franchise and the classic Bugs Bunny cartoon ‘What’s Opera, Doc?’). Nodell would later describe the origin of the hero in an interview in 2000 thusly:

I picked out the name from the train man on the tracks who was waving a lantern, going from red to green. … Green meant go and I decided that was it. Then I needed a colorful and interesting costume. I was interested in Greek mythology and so the costume took on elements of that. It just all fell into place. When I sent it in, I waited into the second week before I heard the word to come in. I was ushered into Mr. [Max] Gaines office, publisher, and after sitting a long time and flipping through the pages of my presentation, he announced, ‘We like it!’ And then, ‘Get to work!’ I did the first five pages of an eight-page story, and then they called in Bill Finger to help. We worked on it for seven years” (Nodell in Black, Bill (2000). “An Interview with Green Lantern Creator Martin Nodell”. AC Comics)

The original Green Lantern’s name was Alan Scott, a name Nodell chose by looking through the New York phone book. The character debuted in All-American Comics #16 in July 1940. The main writer for this original run was Bill Finger (yes, THAT Bill Finger, co-creator of Batman, along with Bob Kane). Scott’s popularity would have the character see action in his own self-titled series and as a member of the Justice Society of America, the first-ever superhero team in comics. After World War II, superhero comics in general hit a sharp decline. Many were cancelled, including Green Lantern, which ceased publication in 1949 after 38 issues.

In the late 1950s, sci-fi films became the rage in Hollywood, ushering in the Space Age. Movies like It Came from Outer Space, Forbidden Planet, and Invasion of the Body Snatchers were king at the box office, and pop culture (and society in general) followed suit. DC Comics’ then-editor Julius Schwartz decided to revamp many of the company’s past superheroes with a more science fiction-oriented slant to them. The first attempt in this new direction was Showcase #4 in Oct. 1956 which debuted the second version of The Flash, Barry Allen.

The popularity of this book is often credited as starting the second superhero boom, which would later be known as the Silver Age of Comics. Showcase become a launching pad for these new versions of past heroes. Soon enough, Green Lantern was revived in Showcase # 22 in October 1959 by writer John Broome and artist Gil Kane. Several changes were made to the character:

– The basis of the Green Lantern’s powers was initially magical in nature. It is now replaced with a form of alien technology.

– The Green Lantern was no longer Alan Scott, but a test pilot named Hal Jordan. In fact, Jordan had no connection whatsoever to Scott.

– The costume was drastically redesigned.

– The character was given a new origin: He was no longer a single vigilante operating mainly on Earth. He was now one of a large group of intergalactic peacekeepers known as The Green Lantern Corps.

The innovations made with Hal Jordan would carry on to all successive Green Lanterns to this day.

NOVA

While Nova’s official debut was not until 1976, the character’s history dates to a decade prior in 1966. Nova began as the brainchild of legendary comic writer Marv Wolfman. At the time, Wolfman was merely a fanboy hoping to get into the comics industry. His fandom was such that he published his own comic fanzine called Super Adventures as sort of a resume for prospective comics publishers.

Within the third issue of Super Adventures, Wolfman created a hero called ‘The Star’, with friend (and future comics legend) Len Wein. The Star was initially “a doctor named Denteen who found a spaceship containing alien pills which gave him a different super-power every five minutes” (2002, ‘Genesis of Nova’). The pills turn out to have been created by an evil alien named Kraken Roo. Roo eventually gets powers and becomes a villain called The Celestial Man. This begins a rather convoluted storyline in which The Star split into two beings. One is absorbed into The Celestial Man, and the other is made into a new hero named BLACK NOVA.

This change comes with all the powers of the pills and a new costume which forms the template of what Nova’s uniform would eventually look like. In Super Adventures #9, the character sacrifices his life to save a superhero team called The Law Legion. The Black Nova costume is said to have been created by Len Wein. It was designed to be as a black and yellow skin-tight suit with five connected starbursts on the chest and a gold helmet with antennae. The hero’s helmet was inspired by a 1965 one-time Doctor Strange villain named Tiboro (2002, ‘Genesis of Nova’). The character was put on the shelf as both creators would become professionals within the field. Wolfman made his pro debut in 1968 for DC Comics. In the years that followed, Wolfman made many great contributions to the comics industry:

– With artist Gene Colan, He co-created the highly successful 1970s horror comic Tomb of Dracula, wherein he created BLADE, THE VAMPIRE HUNTER.

– He co-created one of Daredevil’s greatest arch-rivals, BULLSEYE.

– With artist George Perez, he successfully relaunched DC’s Teen Titans franchise as THE NEW TEEN TITANS. He created the popular lineup that most modern fans associate with the Titans, (Nightwing, Beast Boy, Starfire, Raven, Cyborg, etc.). The title became DC’s bestselling title of the early 80s, rivaling Marvel’s equally popular title at the time, THE UNCANNY X-MEN.

– Also, with George Perez, Wolfman wrote the definitive DC Comics crossover, CRISIS ON INFINITE EARTHS. This storyline streamlined the entire DC Universe, and killed off many beloved characters including, most famously, Barry Allen.

– He is responsible for the modern interpretation of Lex Luthor, changing him from a power-hungry mad scientist to a corrupt Donald Trump-like businessman.

– Years later, during Wolfman’s run on Tomb of Dracula, he decided to dust off the Black Nova character as a change of pace from Dracula’s dark, moody storylines.

– Wolfman states “I needed something lighter to write, something ‘more fun’ to do. I loved writing Dracula, perhaps my favorite assignment ever, but it was, for its time, a very dark book. I also felt comics were starting to get too internal, too dark-though not in the way comics or in the 80’s and 90’s. I wanted to return to the early Marvel comics, hence Nova” (Smith, 2007,‘The Man Called Marv’, Rocket Boosters# 1).

Wolfman wanted to create a book that appealed to much younger readers than those reading titles like Tomb of Dracula. The primary inspiration for this return was the original run of The Amazing Spider-Man by Stan Lee and Steve Ditko. So, the first change was to change The Star/Black Nova from an adult alien male to a human teenager. Personality-wise, Wolfman knew he wanted a character to be young and relatable like Peter Parker, but with a more normal background. Wolfman went to the then-associate editor for Marvel Comics, Jim Shooter, about the launch of this new character.

In an interview, Shooter states “I don’t remember what brought about the opportunity to launch a new character/title—probably some other title was cancelled, and Marv talked the brass into letting him replace it with something new. I know he gave a lot of thought to what made Peter Parker work and tried to develop an alter ego and supporting cast that had the same kind of presence and appeal. I know he wanted Rich Rider to be much more of an average guy, as opposed to brilliant Peter Parker.” (D. Smith, 2007, Flashback: A Look at The Man Called Nova, Rocket Boosters #2).

Another step for this new reboot was give his character an alliterative name that harkened back to the classic Marvel comics of the early 60’s (Ex: Reed Richards, Peter Parker, Matt Murdock, Bruce Banner, Scott Summers, etc.). Hence, Richard Rider was born. Next up was a re-design of the Black Nova costume. For this reason, Wolfman enlisted the help of legendary artist John Romita Sr. (best known for taking over artist duties on The Amazing Spider-Man after Steve Ditko).

Wolfman continues: “I wanted the costume simplified. It was very striking but fannish; antennae on the head, too many starbursts on the chest, overly cluttered, etc. I wanted also a starburst on the back. John (Romita) was the in-house designer at the time and I asked him. The original was about 80’% there but I needed to make it sleeker.” (D. Smith, 2007, Flashback: A Look at The Man Called Nova, Rocket Boosters #2).

The last touch on the look of Nova was inspired by the cartoon character, Mighty Mouse: they added a comet streak to his flight visuals. Finally came the name of the title. Wolfman felt the name Nova by itself was ‘too feminine’. So, he went to the guru of all things Marvel, Stan Lee, for advice. It was Stan who suggested calling the title ‘THE MAN CALLED NOVA’. With that, The Man Called Nova #1 debuted in September 1976.

After decades, it was decided to get the Nova character bring to its roots. For this, the latest Nova to take up the mantle is another teenager Sam Alexander, created by writer Jeph Loeb, acclaimed comic book and screenplay writer.

Here are some of Loeb’s career highlights:

– Loeb created the Teen Wolf franchise. He wrote the original 1985 movie starring TV star Michael J. Fox, as an average kid who turns into a basketball playing werewolf, and becomes the most popular kid in school. He also came up with the story for the 1987 sequel, Teen Wolf Too with another TV star, Jason Bateman, as the boxing champion werewolf cousin of the Michael J. Fox character from the original.

– Loeb wrote the Arnold Schwarzenegger action movie Commando.

– Loeb has served as a writer/producer for several hit shows like Lost, Smallville, Heroes, Agents of SHIELD, and the Marvel Netflix Universe.

Sam Alexander was created initially for the ULTIMATE SPIDER-MAN cartoon on Disney XD. The character made his Marvel Comics debut in Marvel Point One #1 (November 2011), by writer Jeph Loeb, and designed by artist Ed McGuinness. In an intimate touch and personal, Sam is named after Loeb’s son who passed away in 2005 from a long battle with bone cancer.

-JaDarrell Belser

Part two coming soon!